American drama -- 19th century; Romance fiction, American; United States -- Social life and customs -- 19th century -- Fiction
_Stuart (with mock resignation)._ Bear it—like a man. But I am quite
safe from that danger! I trust you won’t mind if in the passion of the
moment I call you Frances.
_Agnes._ This once I’ll condone the liberty.
_Stuart (coming very close to Agnes)._ And if I should so far forget
myself as to try and—well, behave as lovers generally do?
_Agnes (retreating)._ Oh, Mrs. Van Tromp is quite safe from that.
[_Slips past_ STUART _and crosses to l._
_Stuart (aside)._ Don’t be too sure of that.
_Agnes._ Well, begin.
_Stuart (crossing to chair c.)._ Now that’s no way to give a lover an
opening. I want this to have verisimilitude. In real life you don’t as
good as say to the man (_sits very much on the edge of chair c._)
sitting on the edge of his chair, ‘Please begin.’ Do let’s make it
realistic.
_Agnes (laughing)._ Even to the mitten? Very well. (_Imitating society
manner._) I didn’t see you at Mrs. Grainger’s rosecotillion Tuesday, Mr.
Stuart.
_Charlie (without)._ Ah! My angel, we meet.
_Agnes (seizing Stuart’s hand)._ Quick! Come!
[_Drags him over to bay window, where she conceals both with curtain._
_Enter_ POLLY, _in mask and domino, and_ CHARLIE _b. d._
_Charlie._ My own! What can I do to thow my gratitude?
_Polly._ If you but knew how I have trembled at my unmaidenly imprudence
in writing you!
_Charlie._ My angel, love knowth no prudenth; no boundth can limit it.
_Polly._ And you don’t scorn and despise me?
_Charlie._ Thcorn? Dethpithe? Never.
_Polly._ And you don’t think me unmaidenly?
_Charlie._ It ith impothible. You are nothing but what ith perfect and
beautiful.
_Polly (sighing)._ Ah!
_Charlie (sighing)._ Ah! (_Reaches out and takes her hand._) Mith
Wortley, did you mean what you thaid in your letter?
_Polly (languishing)._ Can you doubt it?
_Charlie._ And you really love your Cholly?
_Polly (tenderly)._ Oh, Cholly!
_Charlie (kneeling)._ And you really want to marry your Cholly?
_Polly (faintly)._ Oh, Cholly!
REGINALD _appears b. d. and enters_.
_Reg._ Miss Wortley, I have hurwied to your side. And none too soon, it
appears.
_Charlie (jumping to his feet and speaking very angrily)._ You
thpethimen of the horroth of heredity, you get out of here!
_Polly (sotto voce to Charlie)._ Oh, please don’t make a disturbance!
Remember whose house it is! Leave us and I’ll get rid of him and follow.
_Charlie._ My angel, I can refuth you nothing. (_Goes up stage and
speaks to Reg._) Thir, you owe your thafety to that lady.
[_Exit b. d._
_Reg. (coming down)._ Miss Wortley, I am deucid sowy that epitome of bad
form has been borwing you.
_Polly._ Oh, I don’t mind that. I was only afraid he was going to
misbehave.
_Reg._ Aw, the cad’s always doing that, don’tcher know.
_Polly._ Oh, Mr. Van Tromp, what must you think of me!
Public-domain text, read in full here on John Shaqi.
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