formation of a blend, the alteration of any—provided that a particular
one is fairly matched—will effect but a comparatively slight variation
in its general character. But, if more than one change is to be made let
it be done by degrees, for, if the changes in the various teas forming
the blend are made gradually, few, if any, will detect the alteration.
The proper Blending of tea is an art that cannot be correctly taught in
books or easily learned, it must be acquired by study, experiment and
experience alone. Like all other knowledge there is “no royal road to
it” the dealer must endeavor to learn himself, to understand the
flavors, characters and affinities of the teas that will be either
improved or deteriorated by combination, as no absolute rule can be
substituted for the practical knowledge so acquired. In the proper
blending of teas it is essential also that all combinations should be
judiciously and thoroughly mixed together, the leaves of the component
parts being selected with due regard to size, color and uniformity and
broken as little as possible so that all may harmonize well together. It
is a serious mistake to imagine that the successful or profitable
blending of tea consists solely of an indiscriminate or injudicious
heaping together carelessly and indifferently of two or more varieties
of tea in one homogeneous mass without the least regard to quantities,
qualities, affinities, affiliations or assimilations of leaf, liquor,
character or flavor of the component parts. On the contrary, the art
consists in combining the two or more different varieties or grades of
tea forming the combination in an intelligent, judicious and scientific
manner so as to yield an unique and particular tea of uniform quality,
strength, flavor and pungency at a given price, pleasing and
satisfactory to the greatest number and maintaining its standard at all
times and under all circumstances.
Public-domain text, read in full here on John Shaqi.
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