On November 17, 1866, Schmidt announced that the lunar crater Linné,
about 5½ miles in diameter, and situated in the Mare Serenitatis, had
disappeared! He averred that he had been familiar with the object as
_a deep crater_ since 1841, but in October 1866 he found its place
occupied by _a whitish cloud_. This cloud was always visible, but the
crater itself appeared to have become filled up, and was certainly
invisible under its former aspect. Such a definite statement, emanating
as it did from a diligent and experienced student of selenography,
naturally aroused keen interest, and Linné at once became the object
of wide-spread observation. But a reference to Schröter’s results,
obtained in the latter part of the last century, threw some doubt
upon the alleged change. This observer had figured Linné on November
5, 1788, as a round white spot, and there is nothing in his drawing
indicating a crateriform aspect. His description of Linné was:—“A
flat, somewhat doubtful crater, which appears as a round white spot.”
Mr. Huggins regarded Schröter’s observations as correctly expressing
the appearance of this object in 1867 under the same conditions of
illumination. On the other hand, Lohrmann (1823) and Mädler (1831)
referred to Linné as a deep crater, and in terms inconsistent both
with Schröter’s drawing and with the present aspect of the object.
The outcome of the many fresh observations that were collected was
that Linné appeared as a white cloud, with a small black crater within
a large shallow-ringed depression. But as usual in such cases, the
observers were far from being unanimous as to the details of the
formation; and certainly in regard to a lunar object this need occasion
no surprise, for slight differences in the angle of illumination
produce marked changes in the aspect of lunar features. The fact of
actual change could not be demonstrated, and the negative view appears
to have subsequently gained weight.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account