Tell England: A Study in a GenerationRaymond, Ernest
General
Tell England: A Study in a Generation
Raymond, Ernest
World War, 1914-1918 -- Fiction
As I copied just now those last words of Monty's sermon, I laid down
my pencil on the dug-out floor with a little start. As in a
flashlight I saw their truth. They created in my mind the picture of
that AEgean evening, when Monty turned the moment of Doe's death,
which so nearly brought me discouragement and debasement, into an
ennobling memory. And I foresaw him going about healing the sores of
this war with the same priestly hand.
Yes, there are reasons why such wistful visions should haunt me now.
Everything this evening has gone to produce a certain exaltation in
me. First, there has been the bombardment, with its thought of going
over the top to-morrow. Then comes my mother's glowing letter, which
somehow has held me enthralled, so that I find sentences from it
reiterating themselves in my mind, just as they did in the old
schooldays. And lastly, there has been the joyous sense of having
completed my book, on which for three years I have laboured lovingly
in tent, and billet, and trench.
I meant to close it on the last echo of Monty's sermon. But the
fascination was on me, and I felt I wanted to go on writing. I had
so lost myself in the old scenes of schoolroom, playing-fields,
starlit decks, and Grecian battlegrounds, which I had been
describing, that I actually ceased to hear the bombardment. And the
atmosphere of the well-loved places and well-loved friends remained
all about me. It was the atmosphere that old portraits and fading
old letters throw around those who turn them over. So I took up
again my pencil and my paper.
I thought I would add a paragraph or two, in case I go down in the
morning. If I come through all right, I shall wipe these paragraphs
out. Meanwhile, in these final hours of wonder and waiting, it is
happiness to write on.
I fear that, as I write, I may appear to dogmatise, for I am still
only twenty-two. But I must speak while I can.
What silly things one thinks in an evening of suspense and twilight
like this! One minute I feel I want to be alive this time to-morrow,
in order that my book, which has become everything to me, may have a
happy ending. Pennybet fell at Neuve Chapelle, Doe at Cape Helles,
and one ought to be left alive to save the face of the tale. Still,
if these paragraphs stand and I fall, it will at least be a _true_
ending--true to things as they were for the generation in which we
were born.
And the glorious bombardment asserts itself through my thoughts, and
with a thrill I conceive of it--for we would-be authors are persons
obsessed by one idea--as an effort of the people of Britain to make
it possible for me to come through unhurt and save my story. I feel
I want to thank them.
Public-domain text, read in full here on John Shaqi.
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