Jewish fiction; Jews -- Fiction; Pinski, David, 1872-1959 -- Translations into English; Short stories, Jewish
And beautiful—beautiful? Yes, even strikingly beautiful. Scarcely
had I opened the door and beheld her, when a strange sensation
clutched at my heart.
Her eyes! Those deep, black eyes under the long black lashes! They
pierced me at once. I could not tear myself away from them. And thus
overwhelmed, only half conscious, I received the impression that
those eyes were set in a rather long, dark-complexioned, youthful
countenance, and that around a low, alluring forehead played several
black curls mischievously, and that her whole figure was very svelte
and supple,—almost that of a child.
And her voice! Like her eyes. Deep, and of a dark quality, and so
warm. No sooner had she asked, “Does Mr. So-and-so live here, and are
you not he?” than my eyes and my ears were so completely filled with
her that I forgot I must not keep her standing at the door, and that
I must invite her in.
She invited herself, however. She entered my room, far beyond the
threshold, and I closed the door slowly, without removing my glance
from her. And remained standing as if hypnotised, without knowing
whether to make inquiry or to wait until she would tell me who she
was and what she wished of me.
She laughed. Deep, warm, ringing laughter. Why did I not ask her to
be seated?
Oh, yes. Pardon. And I, the father of a daughter almost as old as
she, turned red with embarrassment, it seems. I hastened to fetch her
a chair, but she had already chosen one and sat down.
* * * * *
She continues to speak, while I take my place in my armchair before
the desk and gaze, gaze upon her, my ears thirstily and enchantedly
drinking in the sound of her voice.
She tells me that she pictured me exactly as I am. She has read
everything I have written. She knows all my writings well and has
imagined a picture of me. And the picture is correct. But she did
not think I possessed so many grey hairs. That makes no difference,
however. For I am young. She is certain of that. But she still has
no idea of how my voice sounds. She thus hints that I have said
nothing as yet. And she laughs.
I join the laughter and am at a loss for words. I feel that I must
say something _significant_,—that the maidenly vision with the
beautiful childlike figure, who knows all my writings and has formed
a perfect image of me, is now waiting for deep and notable words to
issue from my lips. Nor do I desire to be insignificant. I don’t care
to utter plain, ordinary, pedestrian words. So I smile and wait for
her to speak further.
She looks about the room, resting her glance for a moment upon the
paintings that hang upon my walls. And soon she transfers her eyes
once more to me. Sharp, penetrating glances, with a great question in
them. And now there rises in her eyes a smile of subtle irony.
Public-domain text, read in full here on John Shaqi.
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