Ten American Girls from HistorySweetser, Kate Dickinson
History
Ten American Girls from History
Sweetser, Kate Dickinson
United States -- Biography; Women -- Biography
As the tangible results of a benefit performance Clara was able to
give her mother a new spring gown and bonnet and send her off to visit
in Cleveland, before turning her face toward Halifax, where she had
accepted a short summer engagement. At the end of it she went on to
New York, engaged rooms in a quiet old-fashioned house near the
theater, and telegraphed her mother to come. "She came," says Miss
Morris, "and that blessed evening found us housekeeping at last. We
were settled, and happily ready to begin the new life in the great,
strange city."
From that moment, through the frenzied days of rehearsal with a new
company, and with a large number of untoward incidents crowded into
each day, life moved swiftly on toward the first appearance of Clara
Morris on the New York stage.
With a sort of dogged despair she lived through the worry of planning
how to buy costumes out of her small reserve fund. When at last all
her gowns were ready, she had two dollars and thirty-eight cents left,
on which she and her mother must live until her first week's salary
should be paid. Worse than that, on the last awful day before the
opening night she had a sharp attack of pleurisy. A doctor was called,
who, being intoxicated, treated the case wrongly. Another physician
had to be summoned to undo the work of the first, and as a result
Daly's new actress was in a condition little calculated to give her
confidence for such an ordeal as the coming one. She says, "I could
not swallow food--_I could not!_ As the hour drew near my mother stood
over me while with tear-filled eyes I disposed of a raw beaten egg;
then she forced me to drink a cup of broth, fearing a breakdown if I
tried to go through five such acts as awaited me without food. I
always kissed her good-by, and that night my lips were so cold and
stiff with fright that they would not move. I dropped my head for one
moment on her shoulder; she patted me silently with one hand and
opened the door with the other. I glanced back. Mother waved her hand
and called: 'Good luck! God bless you!' and I was on my way to my
supreme test."
A blaze of lights, a hum of voices, a brilliant throng of exquisitely
gowned, bejeweled women and well-groomed men, in fact a house such as
Wood's leading lady had never before confronted! A chance for triumph
or for disaster--and triumph it was! Like a rolling snowball, it grew
as the play advanced. Again and again Clara Morris took a curtain call
with the other actresses. Finally the stage manager said to Mr. Daly,
"They want _her_," and Mr. Daly answered, sharply: "I know what they
want, and I know what I don't want. Ring up again!"
He did so. But it was useless. At last Mr. Daly said, "Oh, well, ring
up once more, and here, you take it yourself."
Public-domain text, read in full here on John Shaqi.
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