But these were the only visible signs of the effect of her subjection.
To the Spaniards she was still courageous, calm and dignified, whatever
she may have felt.
Then came a wild night of storm in the forest, torrents of rain and
mighty wind that roared and thundered through the great trees, shaking
them as if they had been saplings. While the tempest was at its height
Cofachiqui, by a signal known only to her tribe, summoned one of her
faithful women to her side,--by signs told her what she had to
tell,--then the woman crept stealthily back to her forest bed, and there
was no sound in the encampment but the roar of the wind and rain.
The next day dawned cloudless, and at an early hour all the Spaniards
were busily at work, repairing the severe damage done by the storm. In
replacing a tent a woman's deft hand was needed, and Cofachiqui's name
echoed through the forest. No answer came, and an impatient cavalier
himself ran to summon her. At the door of her tent he stood as if turned
to marble. Cofachiqui was not there! Not a bead, an ornament, an article
of clothing, was to be found! No, nor the casket of wonderful pearls
entrusted to her care by De Soto. _La Sanora_, queen of many provinces,
lady of the land she had ruled over so wisely and so well, had fled, and
all her women with her!
Never again, despite De Soto's frenzied and persistent search, despite
the added efforts of the united Spanish army, did they discover any
trace of the brave, beautiful young girl who had received such
treacherous treatment in return for her gracious hospitality.
Clever Cofachiqui! Where she fled, or how she fled, or when she fled,
will always be a mystery, but her name has come down to us on the pages
of historic legend, not as fairy-tale but as fact, and she stands with
the lime-light of ages thrown on her clear-cut character as a girl
sweet, brave and loyal--the most precious relic bequeathed to the New
World by De Soto and his cavaliers.
JENNY LIND:
The Swedish Nightingale
IN the City of Stockholm there is one street leading up to the Church of
St. Jacob, on which in years gone by there was a constant succession of
pedestrians and vehicles. In fact in 1830, it was one of the most lively
streets in the city, and often a passer would stop to look up at a
window where every day a little girl sat, holding a big cat decorated
with a blue ribbon. To this pet the child sang constantly, sang bits of
operas or popular airs which she had heard, and the childish voice was
so clear and sweet and true even in very high notes, that it attracted
quite a crowd of listeners, and it became a regular habit with many
persons to pause for a moment and listen to the song poured out for the
benefit of pussy with the blue bow!
Public-domain text, read in full here on John Shaqi.
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