for--"attempts had been made to suppress," &c. &c.--"compromising
certain distinguished," &c., and so forth; all these paragraphs being in
the unquestionable [!] _editorial_ style, and _genuine_ [!] indications
of a mysterious under-current of curiosity and excitement, existing in
those regions which were watched with reverential awe and constancy by
the occupants of the lower regions. As time advanced, more frequent
became these titillations of the public palate--more distinct these
intimations of what was going forward, and might be shortly expected,
from the appearance of the long-promised work. Take for instance the
following, which ran the round of every newspaper, and wrought up to a
high pitch the curiosity of three-fourths of the fools in the country:--
"The efforts made to deprive the public of the interesting and
peculiar scenes contained in the forthcoming novel, and--in
short--to suppress it, have entirely failed, owing to the
resolution of the gifted author, and the determination of the
spirited publisher; and their only effect has been to accelerate
the appearance of the work. It will bear the exciting and _piquant_
title--'TIPPETIWINK;' and is said to be founded on the remarkable
circumstances attending the recent trial of a great ejectment cause
at York. More than one noble family's history is believed to be
involved in some of the details which will be found in the
forthcoming publication, for which, we are assured, there are
already symptoms of an unprecedented demand. The 'favored few' who
have seen it, predict that it will produce a prodigious sensation.
The _happy audacity_ with which facts are adhered to, will, we
trust, not lead to the disagreeable consequences that appear to be
looked for, in certain quarters, with no little anxiety and dismay.
When we announce that its author is the gifted writer of 'THE
SILVER SPOONS'--'SPINNACH'--'THE
PIROUETTE'--'TITTLE-TATTLE'--'FITZ-GIBLETS'--'SQUINT,' &c. &c. &c.,
we trust we are violating no literary confidence."
Public-domain text, read in full here on John Shaqi.
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