Ten Thousand Wonderful Things: Comprising whatever is marvellous and rare, curious, eccentric and extraordinary in all ages and nations
History
Ten Thousand Wonderful Things: Comprising whatever is marvellous and rare, curious, eccentric and extraordinary in all ages and nations
Curiosities and wonders; Encyclopedias and dictionaries; Folklore
The honour of the invention of movable types has been disputed by
two cities, Haarlem and Mentz. The claims of Haarlem rest chiefly
upon a statement of Hadrien Junius, who gave it upon the testimony
of Cornelius, alleged to be a servant of Lawrence Coster, for whom
the invention is claimed. The claims of Mentz, which appear to be
more conclusive, are in favour of Peter Schaeffer, the assistant and
son-in-law of John Faust, better known as Dr. Faustus. The first
edition of the _Speculum humanae salvationis_ was printed by Coster at
Haarlem, about the year 1440, and is one of the earliest productions of
the press of which the printer is known. The celebrated Bible, commonly
known as the Mentz Bible, without date, is the first important specimen
of printing with moveable metal types. This was executed by Gutenberg
and Faust, or Fust, as it is sometimes spelt, between the years 1450
and 1455. The secret of the method then becoming known, presses were
speedily established in all parts of Europe, so that before the year
1500 there were printing-offices in upwards of 220 different places in
Austria, Bavaria, Bohemia, Calabria, the Cremonese, Denmark, England,
Flanders, France, Franconia, Frioul, Geneva, Genoa, Germany, Holland,
Hungary, Italy, Lombardy, Mecklenburg, Moravia, Naples, the Palatinate,
Piedmont, Poland, Portugal, Rome, Sardinia, Upper and Lower Saxony,
Sicily, Silesia, Spain, Suabia, Switzerland, Thessalonica, Turkey,
Tuscany, the Tyrol, Venice, Verona, Westphalia, Wurtemberg, &c.
This vast and rapid extension of the art, combined with the skill which
the earlier printers displayed in it, seems to be totally incompatible
with the date assigned to the invention, and it is more than probable,
that the art having been long practised in private under continued
attempts at secrecy, it at length broke into publicity after it had
already attained a considerable degree of perfection.
THE PROTEUS ANGUINUS.
Public-domain text, read in full here on John Shaqi.
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