Ten Years in Washington: or, Inside Life and Scenes in Our National Capital as a Woman Sees Them ... to Which Is Added a Full Account of the Life and Death of President James A. GarfieldClemmer, Mary
History
Ten Years in Washington: or, Inside Life and Scenes in Our National Capital as a Woman Sees Them ... to Which Is Added a Full Account of the Life and Death of President James A. Garfield
Clemmer, Mary
Washington (D.C.) -- Description and travel; Washington (D.C.) -- History
In our vast land the passion of nationality has become too much
diffused. It has been broken into the narrower love bestowed upon a
single State. It has been bruised by faction. It has been broken by
anarchy. But within the walls of the Capitol, every State in the Union
holds its memories, and garners its hopes. Every hall and corridor,
every arch and alcove, every painting and marble is eloquent with the
history of its past, and the prophecy of its future. The torch of
revolution flamed in sight, yet never reached this beloved Capitol. Its
unscathed walls are the trophies of victorious war; its dome is the
crown of triumphant freemen; its unfilled niches and perpetually growing
splendor foretell the grandeur of its final consummation. Remembering
this, with what serious thought and care should this great national work
progress:
“The hand that rounded Peter’s dome,
And groined the aisles of ancient Rome,
Wrought with a sad sincerity.”
Let no poor artist, no insincere spirit, assume to decorate a building
in whose walls and ornaments a great nation will embody and perpetuate
its most precious history. The brain that designs, the hand that
executes for the CAPITOL, works not for to-day, but for all time. It was
with a profound consciousness, not only of what this building is, but of
all that it must yet be to the American people, that Charles Sumner,
that profound lover of beauty, said, with so much feeling: “Surely this
edifice, so beautiful and interesting, should not be opened to the rude
experiment of untried talent. It ought not to receive, in the way of
ornamentation, anything which is not a work of art.” In every future
work added to the Capitol, let the significant words of Ruskin, the
great art critic, be remembered:
“There should not be a single ornament put upon a great civic
building, without an intellectual intention. Every human action gains
in honor, in grace, in all true magnificence, by its regard to things
to come. There is no action nor art whose majesty we may not measure
by this test. Therefore, when we build a public building, let us think
that we build it for ever. Let us remember that a time is to come when
men will say: ‘See, this our fathers did for us.’ ”
Public-domain text, read in full here on John Shaqi.
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