Ten Years in Washington: or, Inside Life and Scenes in Our National Capital as a Woman Sees Them ... to Which Is Added a Full Account of the Life and Death of President James A. GarfieldClemmer, Mary
History
Ten Years in Washington: or, Inside Life and Scenes in Our National Capital as a Woman Sees Them ... to Which Is Added a Full Account of the Life and Death of President James A. Garfield
Clemmer, Mary
Washington (D.C.) -- Description and travel; Washington (D.C.) -- History
“The General!” That’s his name, from the roof to the cellar of the vast
Treasury; crooked, crotchety, great-hearted; nobody swears so loud, or
is so generous, or just, as “the General.” Every afflicted soul, from
the women, poor and old, who stand by the printing-presses under the
scorching roof, to Mary Walker, whose devotion to “her principles,” in
the form of a pair of hideous little pantaloons, causes her justly to
shed tubs of tears,—all are sure of a hearing, and of redress, if
possible, from “the General.” His face is as astonishing as his
signature. It is a Lincolnian face in this, that its best expression can
never be transferred to a picture. In life it is rugged, ugly at first
glance, genial at the second. The eyes twinkle with humor and kindness;
the wide mouth shuts tight with wilfulness and determination; the whole
expression and presence of the man indicate energy, honesty, and power.
General Spinner is an object of personal curiosity to all sight-seers
who visit Washington. Dick and Dolly having puzzled their eyes for an
hour, studying some fresh legal tender note, to discover by what process
of evolution and convolution the remarkable signature which it bears is
fashioned, when they came to the Capital, proceeded to the Treasury to
see, not only the man who makes it, but how he makes it. Bluff, and even
snappish at first approach, after a little wilful snarling, our General
subsides into the most amiable of mastiffs. He is an exception to the
official class, in his hate of exclusiveness and his never-failing
accessibility. Indeed, he would have far less to irritate him, if he
made himself more unapproachable and remote. As it is, all sorts of
tormenting people, finding it perfectly easy to “get at him,” do not
neglect the privilege, and altogether keep him pretty thoroughly
“wrought up” with their never-ending and perpetually conflicting woes.
Dicky and Dolly, fresh from their farm, who ask for no “place” in any
“division” whatever, who have no alert grievance grumbling for redress,
who wish for nothing but, “Please, sir, _will_ you just show us _how_
you make it—that queer name?” are sure to be gratified in the very
jolliest fashion. The General stabs the old pen with three points down
into the pudding-like ink which sticks to the bottom of the broken-nosed
pitcher, and proceeds to pile it up in ridiculous little heaps at cross
angles on a bit of paper. The result of his “piling,” which Dick and
Dolly watch with breathless interest, is his signature, which our happy
friends bear off in triumph to show to the “folks at home.” “Yes, sir,
the autograph of the Treasurer of the United States! and we saw him make
it, we did! A queer lookin’ man, but good as pie, I can tell you; has a
feelin’ for folks, as if he wasn’t no better than them, if he does take
care of all the money of the United States Treasury, which, I tell you,
is a heap!”
Public-domain text, read in full here on John Shaqi.
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