France -- History -- Louis XIV, 1643-1715 -- Fiction
The news of the extreme illness of the cardinal had already spread, and
attracted at least as much attention among the people of the Louvre as
the news of the marriage of Monsieur, the king’s brother, which had
already been announced as an official fact. Scarcely had Louis XIV.
returned home, with his thoughts fully occupied with the various things
he had seen and heard in the course of the evening, when an usher
announced that the same crowd of courtiers who, in the morning, had
thronged his levee, presented themselves again at his coucher, a
remarkable piece of respect which, during the reign of the cardinal,
the court, not very discreet in its preferences, had accorded to the
minister, without caring about displeasing the king.
But the minister had had, as we have said, an alarming attack of gout,
and the tide of flattery was mounting towards the throne. Courtiers
have a marvelous instinct in scenting the turn of events; courtiers
possess a supreme kind of science; they are diplomatists in throwing
light upon the unraveling of complicated intrigues, captains in
divining the issue of battles, and physicians in curing the sick. Louis
XIV., to whom his mother had taught this axiom, together with many
others, understood at once that the cardinal must be very ill.
Scarcely had Anne of Austria conducted the young queen to her
apartments and taken from her brow the head-dress of ceremony, when she
went to see her son in his cabinet, where, alone, melancholy and
depressed, he was indulging, as if to exercise his will, in one of
those terrible inward passions—king’s passions—which create events when
they break out, and with Louis XIV., thanks to his astonishing command
over himself, became such benign tempests, that his most violent, his
only passion, that which Saint Simon mentions with astonishment, was
that famous fit of anger which he exhibited fifty years later, on the
occasion of a little concealment of the Duc de Maine’s and which had
for result a shower of blows inflicted with a cane upon the back of a
poor valet who had stolen a biscuit. The young king then was, as we
have seen, a prey to a double excitement; and he said to himself as he
looked in a glass, “O king!—king by name, and not in fact;—phantom,
vain phantom art thou!—inert statue, which has no other power than that
of provoking salutations from courtiers, when wilt thou be able to
raise thy velvet arm, or clench thy silken hand? when wilt thou be able
to open, for any purpose but to sigh, or smile, lips condemned to the
motionless stupidity of the marbles in thy gallery?”
Public-domain text, read in full here on John Shaqi.
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