France -- History -- Louis XIV, 1643-1715 -- Fiction
Louis drew back astonished. The advice was a confession—a treasure, in
fact, was that sincere confession of Mazarin. The legacy of the
cardinal to the young king was composed of six words only, but those
six words, as Mazarin had said, were worth forty millions. Louis
remained for an instant bewildered. As for Mazarin, he appeared only to
have said something quite natural. A little scratching was heard along
the curtains of the alcove. Mazarin understood: “Yes, yes!” cried he
warmly, “yes, sire, I recommend to you a wise man, an honest man, and a
clever man.”
“Tell me his name, my lord.”
“His name is yet almost unknown, sire; it is M. Colbert, my attendant.
Oh! try him,” added Mazarin, in an earnest voice; “all that he has
predicted has come to pass, he has a safe glance, he is never mistaken
either in things or in men—which is more surprising still. Sire, I owe
you much, but I think I acquit myself of all towards you in giving you
M. Colbert.”
“So be it,” said Louis, faintly, for, as Mazarin had said, the name of
Colbert was quite unknown to him, and he thought the enthusiasm of the
cardinal partook of the delirium of a dying man. The cardinal sank back
on his pillows.
“For the present, adieu, sire! adieu,” murmured Mazarin. “I am tired,
and I have yet a rough journey to take before I present myself to my
new Master. Adieu, sire!”
The young king felt the tears rise to his eyes; he bent over the dying
man, already half a corpse, and then hastily retired.
CHAPTER 49.
The First Appearance of Colbert
The whole night was passed in anguish, common to the dying man and to
the king: the dying man expected his deliverance, the king awaited his
liberty. Louis did not go to bed. An hour after leaving the chamber of
the cardinal, he learned that the dying man, recovering a little
strength, had insisted upon being dressed, adorned and painted, and
seeing the ambassadors. Like Augustus, he no doubt considered the world
a great stage, and was desirous of playing out the last act of the
comedy. Anne of Austria reappeared no more in the cardinal’s
apartments; she had nothing more to do there. Propriety was the pretext
for her absence. On his part, the cardinal did not ask for her: the
advice the queen had given her son rankled in his heart.
Public-domain text, read in full here on John Shaqi.
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