France -- History -- Louis XIV, 1643-1715 -- Fiction
There was, at this moment, a great rolling movement in the crowd, which
stopped for a moment the march of the condemned. The people of a bold
and resolute mien, whom D’Artagnan had observed, by dint of pressing,
pushing, and lifting themselves up, had succeeded in almost touching
the hedge of archers. The cortege resumed its march. All at once, to
cries of “Vive Colbert!” those men, of whom D’Artagnan never lost
sight, fell upon the escort, which in vain endeavored to stand against
them. Behind these men was the crowd. Then commenced, amidst a
frightful tumult, as frightful a confusion. This time there was
something more than cries of expectation or cries of joy, there were
cries of pain. Halberds struck men down, swords ran them through,
muskets were discharged at them. The confusion became then so great
that D’Artagnan could no longer distinguish anything. Then, from this
chaos, suddenly surged something like a visible intention, like a will
pronounced. The condemned had been torn from the hands of the guards,
and were being dragged towards the house of L’Image-de-Notre-Dame.
Those who dragged them shouted, “Vive Colbert!” The people hesitated,
not knowing which they ought to fall upon, the archers or the
aggressors. What stopped the people was, that those who cried “Vive
Colbert!” began to cry, at the same time, “No halter! no halter! to the
fire! to the fire! burn the thieves! burn the extortioners!” This cry,
shouted with an ensemble, obtained enthusiastic success. The populace
had come to witness an execution, and here was an opportunity offered
them of performing one themselves. It was this that must be most
agreeable to the populace: therefore, they ranged, themselves
immediately on the party of the aggressors against the archers, crying
with the minority, which had become, thanks to them, the most compact
majority: “Yes, yes: to the fire with the thieves! Vive Colbert!”
“Mordioux!” exclaimed D’Artagnan, “this begins to look serious.”
One of the men who remained near the chimney approached the window, a
firebrand in his hand. “Ah, ah!” said he, “it gets warm.” Then, turning
to his companion: “There is the signal,” added he; and he immediately
applied the burning brand to the wainscoting. Now, this cabaret of the
Image-de-Notre-Dame was not a very newly-built house, and therefore did
not require much entreating to take fire. In a second the boards began
to crackle, and the flames arose sparkling to the ceiling. A howling
from without replied to the shouts of the incendiaries. D’Artagnan, who
had not seen what passed, from being engaged at the window, felt, at
the same time, the smoke which choked him and the fire that scorched
him. “Hola!” cried he, turning round, “is the fire here? Are you drunk
or mad, my masters?”
The two men looked at each other with an air of astonishment. “In
what?” asked they of D’Artagnan; “was it not a thing agreed upon?”
Public-domain text, read in full here on John Shaqi.
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