Adventure and adventurers -- Fiction; France -- History -- Louis XIV, 1643-1715 -- Fiction; Historical fiction; Swordsmen -- Fiction
“Oh, sire, that is not the greatest misfortune; for, after all, the
orchestra could still just as well cut it out, if it were necessary;
but--”
“But what?”
“Why, M. de Guiche is here.”
“Here?” replied the king, frowning, “here? Are you sure?”
“Yes, sire; and ready dressed for the ballet.”
The king felt himself color deeply, and said, “You are probably
mistaken.”
“So little is that the case, sire, that if your majesty will look to the
right, you will see that the comte is in waiting.”
Louis turned hastily towards the side, and in fact, on his right,
brilliant in his character of Autumn, De Guiche awaited until the king
should look at him, in order that he might address him. To give an idea
of the stupefaction of the king, and that of Monsieur, who was moving
about restlessly in his box,--to describe also the agitated movement
of the heads in the theater, and the strange emotion of Madame, at the
sight of her partner,--is a task we must leave to abler hands. The king
stood almost gaping with astonishment as he looked at the comte, who,
bowing lowly, approached Louis with the profoundest respect.
“Sire,” he said, “your majesty’s most devoted servant approaches to
perform a service on this occasion with similar zeal that he has already
shown on the field of battle. Your majesty, in omitting the dance of the
Fruits, would be losing the most beautiful scene in the ballet. I did
not wish to be the substance of so dark a shadow to your majesty’s
elegance, skill, and graceful invention; and I have left my tenants in
order to place my services at your majesty’s commands.”
Every word fell distinctly, in perfect harmony and eloquence, upon Louis
XIV.’s ears. Their flattery pleased, as much as De Guiche’s courage had
astonished him, and he simply replied: “I did not tell you to return,
comte.”
“Certainly not, sire; but your majesty did not tell me to remain.”
Public-domain text, read in full here on John Shaqi.
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