Tent Work in Palestine: A Record of Discovery and AdventureConder, C. R. (Claude Reignier)
History
Tent Work in Palestine: A Record of Discovery and Adventure
Conder, C. R. (Claude Reignier)
Palestine -- Description and travel
The scenery now became very remarkable, resembling most that of a
Sinaitic oasis. The crags on either side were glaring in the sun,
reddish-yellow in colour, without even a bush or shrub on the slopes,
and with an intensely blue sky above; but below them, in the valley, the
road led beside a swirling stream, which ran rapidly over boulders and
pebbles, under the cool shadow of tall poplar groves, and gardens of
cool, green foliage. The grass grew rank beside the path, trailing
vines, peaches, plums, and other fruit-trees flourished on either bank.
A paradise was, in short, set in a frame of most barren desert, an oasis
between bare crags of sun-scorched limestone. The white road wound down
the valley, which became constantly more luxuriant, whilst the hills
grew higher and glared more desolate. On every side tributary streams
gushed down, and we began to pass by white villas, with primitive
frescoes on the walls, by groups of veiled ladies on white donkeys, and
by rich merchants on fine mares. At last the valley opened, and our
cavalcade, of seven horsemen, came cantering down an avenue of poplars,
until, turning a sharp corner, we came suddenly in sight of the entrance
to Damascus.
This approach to the city is not favourable to a just appreciation of
its peculiar beauties. In front of the houses there is a sort of green,
covered with short grass, and divided by the river. A large white
mosque, with two tall minarets, was in front, and the castle to the
right; but no great wall, as at Jerusalem, bounds the city, which has,
in spite of domes and minarets, rather the appearance of a straggling
village of mud houses, with windows of wood lattice, flat mud roofs, and
overhanging upper stories.
We stopped at the hotel, and at once became acquainted with the real
glory of Damascus--namely, its interiors. The house was built round an
ample paved court, its inner walls of stucco, painted in horizontal
bands of white, red, and blue. In the centre was a large square basin,
surrounded by little jets, whence the water trickled slowly. It was
shaded by tall lemon and orange-trees, peaches, and plums. On one side
of the court opened the diwân, a cool, lofty apartment, with raised
floors surrounded by low sofas, and with an octagonal fountain in the
narrow central passage. The roof of this central part was more lofty,
and clerestory windows let in a subdued light. The diwân walls were
marble, and the roofs of inlaid woodwork, gorgeously painted on a
dark-brown ground.
Public-domain text, read in full here on John Shaqi.
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