Tent Work in Palestine: A Record of Discovery and AdventureConder, C. R. (Claude Reignier)
History
Tent Work in Palestine: A Record of Discovery and Adventure
Conder, C. R. (Claude Reignier)
Palestine -- Description and travel
In 1187 A.D., a chapel of St. John stood near the caves of certain
hermits, which were opposite Castel Pelegrino, now ’Athlît. A glance at
the Survey shows caves still existing east of that fortress, and near
them is a little Mukâm of the Prophet Ahia, which is the native name of
John the Baptist. Here, then, the Moslems have again adopted a Christian
shrine.
In 1432 A.D., Bertrandon de la Brocquiére was shown a mountain between
Gaza and Hebron, called the “Penance Mountain of St. John.” A hill
called “the place of separation of Ahia” is still shown by the peasantry
in that direction.
Nor is it Christian tradition alone which is thus absorbed. Jacob
Shelleby, the Samaritan, complained to me that the Moslems had robbed
the Samaritans of the “Mosque of the Pillar,” which the latter now
believe to have been the scene of Joshua’s “pillar by the oak,” near
Shechem, just as they robbed the Christians of the little chapel at the
Hizn Y’akûb, also close to Nâblus.
It might, perhaps, be argued that the reason of this adoption of
Christian sites by Moslems is to be sought in a common origin of
Christian and native tradition, and that the adoption proves the sites
to be authentic. It is easier to advance this theory than to disprove
it; yet the tomb of Samuel is now fixed by a tradition, which was not
generally accepted until after the twelfth century, and the venerated
tomb of Moses, which is connected with the site of an old monastery, is
now shown _west_ of Jordan, in plain contradiction to Scripture. Surely
these, at least, are not genuine sites; but above all, the tradition
still preserved by the Bedawîn which connects the “high mountain” of Our
Lord’s Temptation with a hill 500 feet below the level of the
Mediterranean (see page 205) cannot be regarded as anything but a
monkish legend.
Stories may be collected among the peasantry which are evidently garbled
versions of Scriptural episodes. The actors are sometimes local
worthies, such as Sheikh Samat, whose tomb seems to be the supposed
sepulchre of Samson, which was shown by the Jews in the fourteenth
century; in other cases they are the companions of the Prophet, and
especially Imâm ’Aly, while the enemies of the Faithful are represented
as Christians.
Public-domain text, read in full here on John Shaqi.
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