Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
General
Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
informed her that the marriage was a bogus marriage from beginning to
end--that he was, in fact, already married. He said he wished to have
nothing more to do with her, and gave her a bank-note for a thousand
pounds to solace her wounded feelings, which bank-note she flung into
the fire. You may ask why this man was not prosecuted for bigamy. I will
tell you. The matter was kept quiet in order to spare the feelings of
my poor deluded Juana. Think what the trial would have meant to her. I
myself arranged with the priest and one or two other officials that
the whole thing should be buried in oblivion. I had reserved my own
punishment for the villain who thus escaped the law. To proceed, Juana
had two children--twins. They were named Juana and Teresa. Shortly after
their birth their mother died. But before she died--on her death-bed--I
married her. I had begged to do so before, but she had declined. I swore
to her that I would regard Juana and Teresa as my own children, but of
my intended vengeance against her murderer I said nothing. Hers was
a gentle heart, and she might have put me on my oath to abandon that
vengeance. From the day of her death I lived for nothing save the
punishment of a villain. It was my one thought. I subordinated
everything to it. It made my temper uncertain; it involved me in endless
difficulties; it estranged me from my dear one’s elder daughter, and
often I felt that I was harsh to Teresa, my favourite and the last-born.
But I could not do otherwise. I was a monomaniac. I dreamt only of the
moment when I should see my enemy at my feet, begging for mercy. That
moment has come. He is here. Watch him. He could only be wounded in one
place--his pocket. His pocket is the heel of this noble Achilles, and it
is his pocket that my sword has pierced.’
With outstretched finger Raphael Craig pointed with passionate scorn at
the figure of Simon Lock.
‘Beg for my mercy,’ Craig commanded.,
And to Richard’s amazement Simon Lock answered:
‘I entreat your mercy, Craig.’
‘That is well. I am satisfied,’ said Craig.
‘They say that revenge turns to ashes in the mouth. I don’t think it
does.’
‘Mr. Craig,’ said Lock suavely to Richard, ‘has given a highly-coloured
account of a somewhat ordinary affair. But to appease him I do certainly
ask his mercy. I do admit that he has the upper hand.’
‘And I will see you eternally damned, Simon Lock,’ said Raphael Craig,
‘before I grant you an ounce of mercy! There is no mercy for such as
you, who are never merciful yourselves. I only wanted to hear you beg,
that was all. I hadn’t the slightest intention of letting you off.’
Simon Lock got up.
Public-domain text, read in full here on John Shaqi.
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