Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
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Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
‘No,’ cried the old man, suddenly starting up. ‘No, I will never let him
go free! After all these years of labour and sleepless watching, shall
I take my hands! off his throat now? You don’t know what you ask, Juana.
But you were always against me, Juana, ever since you were a little
child--you who bear your mother’s name, too!’
‘Nay, father,’ said Juana; ‘I admire your defence of my mother. I love
you for it. I think you are the noblest man alive. But you will be
nobler if you let this man go free. He is beneath your notice.’
‘Never!’ repeated the old man, and walked quickly out of the orchard.
The three young people, left together, scarcely knew what to say to
each other. The girls were, very naturally, excited and perturbed by the
recital to which they had just listened. As for Richard, he was still
in a state of suspense, of apprehension, almost of fear. To him the very
atmosphere of Queen’s Farm seemed to be charged with the messages of
fate. Raphael Craig’s profound self-satisfaction struck Richard as quite
child-like. Did this man, so experienced in the world, really think that
Simon Lock would quietly allow himself to be ruined? Did he really think
that the struggle was over? And if, on the other hand, he thought that
Simon Lock would procure his arrest, was he actually prepared to go to
prison, and to die there? Richard pictured Simon Lock as planning all
sorts of deep-laid schemes against Raphael Craig. He felt that Simon
Lock would never be ‘at the end of his tether,’ as the old man had
termed it, until Simon Lock was dead. He felt just a little bit for
Simon Lock on account of the humiliations which that proud personage
had been made to suffer that morning, and he felt so, despite his
detestation of Lock’s past career and of his general methods. He found
it impossible to get very angry about a sin committed twenty years ago.
That night Nolan, the detective, though better than on the previous day,
was suffering from a slight temporary relapse. Richard volunteered to
sit up with him, as the man could only sleep at intervals. Both Bridget
and Juana were exhausted with the nursing, and Juana would not hear of
Teresa sitting up. So it came about that Richard insisted on performing
the duty himself.
It was a warm summer night, rather too warm for comfort, and for a
little space the two men talked on miscellaneous subjects. Then Nolan
asked for something to drink, and having drunk, went off into a sound
sleep. So far as Richard could see, the patient was better again.
Richard occupied an easy-chair by the window. There was twilight all
through the night. For a long time Richard gazed idly out of the
window into the western arch of the sky. As hour after hour passed
the temperature grew chilly. He closed the window. Nolan still slept
peacefully. Richard drew down the blind, and said to himself that he
would have a doze in the easy-chair.
The next thing of which he was conscious was a knocking at the door.
Public-domain text, read in full here on John Shaqi.
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