Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
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Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
The man pointed to a mahogany door at the end of the long, lofty hall.
Richard opened it, and found himself, not in a library, but in a small
rectangular windowless apartment, clearly intended for the reception of
hats and coats. Suspecting a ruse, he stepped quickly into the hall.
‘Not that door, the next one,’ said the man, quietly enough. Richard
followed the man’s instructions, and very silently opened the next door.
A large room disclosed itself, with a long table down the centre of it.
The place did not bear much resemblance to a library. It was, in fact,
the breakfast-room, and the library lay beyond it. At the furthest
corner, opposite another door, a man was seated on a chair. His eyes
seemed to be glued on to the door which he watched.
‘Come along, Terrell,’ this man whispered, without moving his head, as
Richard entered.
Richard accordingly came along, and was upon the man in the chair before
the latter had perceived that another than Terrell--whoever Terrell
might be--had thrust himself into the plot.
‘Silence!’ said Richard; ‘I am a detective. Come out.’
The revolver and Richard’s unflinching eye did the rest. Richard led the
astonished and unresisting man into the hall, and then locked him up
in the hat and coat room, and put the key of the door in his pocket.
He returned to the other room, locked its door on the inside, so as to
preclude the approach of the expected Terrell, and took the empty
chair in front of the far door. He guessed that Simon Lock, and perhaps
Raphael Craig, were on the other side of that door.
‘Up to now,’ he reflected, ‘it’s been fairly simple.’
There was absolute silence. It was as though the great house had hushed
itself in anticipation of a great climax.
Then Richard heard a voice in the room beyond. It was Simon Lock’s
voice. Richard instantly tried the door, turning the handle very softly
and slowly. It was latched, but not locked. Using infinite precautions,
he contrived to leave the door open about half an inch. Through this
half-inch of space he peered into the library. He saw part of a large
square desk and an armchair. In this armchair sat Raphael Craig, and
Raphael Craig was tied firmly to the chair with ropes. He could not see
Simon Lock, and he dared not yet push the door further open.
‘Now, Craig,’ the voice of Simon Lock was saying, ‘don’t drive me to
extreme measures.’
For answer Raphael Craig closed his eyes, as if bored. His face had a
disgusted, haughty expression.
‘You’ve got no chance,’ said Simon Lock.
Public-domain text, read in full here on John Shaqi.
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