Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
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Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
He struck a match, which revealed a low bookcase to the left, and on
this a candle. He lighted the candle.
‘Stay here,’ he said, ‘and I will search the house.’
‘Sure,’ said Bridget, ‘we’ll stand or fall together. Where you go, me
and the mistress go too.’
Richard could not avoid a smile. Together, then, they searched the house
from roof to cellar, and found--nothing at all. Apparently not a single
thing had been displaced or touched. What could have been the origin
of the light which they had seen? Had Mr. Craig returned only to depart
again? They stood in the hall asking these questions, which they were
unable to answer. Bridget, however, assured that there was nothing of an
unusual nature within the house, recovered her wits, and set to work to
light lamps in the hall, drawing-room, and kitchen. Richard and Teresa
were alone together in the hall. Richard, glancing idly round, stooped
down and picked from the floor a gold-handled riding-whip which lay
almost under the bookcase. It was a lady’s whip.
‘A pretty whip,’ he remarked. ‘Yours, I suppose?’
Teresa went very white.
‘It isn’t mine,’ she said. ‘I’ve never seen it before. I----’
At that very moment there was the sound of hoofs on the gravel of the
drive. Richard started for the door, but Teresa clutched him and held
him back with an action almost mechanical. Her eyes showed apprehension,
mingled with another feeling which Richard almost thought was joy. The
hoofs came up the drive and stopped in front of the door, still ajar.
The two within the house could just discern the legs of a horse and
the skirt of a riding-habit. The rider jumped down, and then cautiously
pushed against the door.
‘Juana!’ cried Teresa, and rushed into the arms of the newcomer.
Richard at once recognised the equestrian of Bosco’s circus--tall, dark,
Spanish, alluring, mysterious.
The two girls exchanged a passionate kiss, and then stood apart and
gazed at each other, Richard discreetly stopped outside and held the
horse’s bridle. In this animal he recognised the strawberry-roan mare,
also of Bosco’s circus. In a moment the two girls came out on to the
porch.
‘Mr. Redgrave,’ said Teresa, ‘let me introduce you to my sister. She had
called here before, and, finding no one, had left. She came back for her
whip. Juana, I am in great trouble. Mr. Redgrave has very kindly come to
my assistance.’
Richard bowed.
‘Come into the drawing-room,’ said Teresa, ‘You can tie the mare up to
this tree, Juana.
‘I expect she won’t mind the car.’
When they were all seated in the drawing-room Richard immediately
perceived that the two girls meant, at any rate partially, to make a
confidant of him. They talked quite openly before him.
‘Suppose father should come in?’ said the circus-girl.
‘You must hide,’ said Teresa positively, and, turning to Richard,
she went on: ‘Mr. Redgrave, my father has not seen my sister for many
months, and there are reasons why he should not see her now. You will
understand----’
Public-domain text, read in full here on John Shaqi.
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