Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
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Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
‘No, my friend,’ he remarked composedly, ‘nothing can upset it now. The
last of my silver is disposed of--safely negotiated. Go into my sheds
now, and you will discover--nothing. My machinery is destroyed; all
evidence is annihilated. For twenty years I have been crossing an abyss
by means of a tight-rope; at any moment I might have been precipitated
into the gulf. But at last I am on firm ground once more. It is the
Other, now, who will shortly be plunged into the abyss.’
‘The Other!’ Richard repeated, struck by the strange and mordant accent
with which Raphael Craig had pronounced that word.
‘The Other,’ said the old man. ‘His hour comes.’
‘And who is he?’ demanded Richard.
‘That,’ Raphael Craig said, ‘you will never know until my deed is
accomplished. The train is laid, the fuse is ignited. I have only to
wait.’
‘Then you will tell me nothing more?’ said Richard.
‘Have I not interested you so far?’ said the old man.
‘Undoubtedly, but my curiosity is still not quite sated.’
‘It occurs to me that your curiosity exceeds mine. By what right,
young man, do you put all these questions? I have never sought to
cross-examine you, as I might have done.’
‘Under the circumstances,’ said Richard, ‘I think you have a perfect
right to know, and certainly I have no objection to telling you. I came
on behalf of the directors of the bank.’
‘Which means Mr. Simon Lock,’ said Raphael Craig.
‘Which means Mr. Simon Lock,’ Richard cheerfully admitted.
‘Ah!’
‘Then you decline to admit me further into your confidence?’ Richard
doggedly persisted.
‘Redgrave,’ said the old man, standing up, my scheme is my own. It is
the most precious thing I have--the one thing that has kept me alive,
given me vitality, vivacity, strength, hope. During all these years I
have shared it with none. Shall I share it now? Shall I share it with a
man young enough to be my son, a man who forced himself into my house,
wormed himself into the secrets of my private life? I shall not. It
is too sacred a thing. You do not know what my scheme means to me; you
cannot guess all that is involved in it. I can conceive that you might
even laugh at my scheme--you who do not yet know what life is and what
life means.’
Raphael Craig resumed with dignity his seat on the sofa. Richard was
impressed by this exhibition of profound feeling on the part of the old
man. He was inclined to admit, privately, that perhaps the old man
was right--perhaps he did not know what life was and what life meant;
perhaps there were things in life deeper, more terrible, than he had
ever suspected.
Public-domain text, read in full here on John Shaqi.
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