Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
General
Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
‘I must inform you of another thing. While in Limerick and the district
I met this Nolan, the detective. He had another name there. I know now,
from what my sister has told me, that he must have been investigating
the early history of my mother, and my real and false fathers, for some
purpose of the police. But I judge him as I found him. He was very kind
to me once, and I liked him. He was the personification of good-nature
and good temper. When our ways parted he expressed the certain hope that
we should meet again. We have met again, under circumstances extremely
painful. He has not yet recognised me. You may ask, father,’ she went
on, turning to Raphael Craig, ‘why I came back to your house to-day.
There were two reasons. It is three months since I learnt about my
parentage, and during the whole of that time I have been debating with
myself whether or not to come and have it out with you. I inclined more
and more to having a clear understanding, not only for my own sake,
but for Teresa’s. Then, the second reason, the circus folk had begun to
talk. There were jealousies, of course; and the rumour that my birth
was surrounded by doubtful mysteries somehow got afoot in the tents. I
decided to leave. Here I am. I came prepared for peace; but you, father,
have decided otherwise. I shall leave to-morrow morning, We have no
claim on each other. Mr. Redgrave, that is all I have to say.’
She ceased.
Richard bowed, and looked expectantly towards the old man, but the old
man said nothing.
‘I have the right to ask you, sir,’ said Richard, ‘for your version of
what Miss Juana has just told us.’
‘We will talk of that to-morrow,’ answered the old man testily. ‘We will
talk of that to-morrow.’
‘It is already to-morrow,’ said Juana scornfully.
There was a sudden tremendous racket overhead. A scream could be heard
from Bridget, and a loud, confused chattering from Nolan. The latter
rushed violently half-way downstairs, his eyes burning, Mrs. Bridget
after him.
[Illustration: 0206]
‘I tell you I won’t stay there!’ he shouted. ‘It’s unlucky--that room
where Featherstone slept the night before he killed himself! It’s
unlucky!’
The restless patient sank on the stairs, exhausted by the exertion.
Before Richard could do anything, Mrs. Bridget, that gaunt and powerful
creature, had picked up the little man, and by great effort carried him
away again. The people downstairs saw no more of him. Mrs. Bridget had
at last made up her mind to take him firmly in hand.
Richard was startled by a light touch on his shoulder, and he was
still more startled when he caught the horror-struck face of Juana--the
staring eyes, the drawn mouth.
‘Tell me,’ she said, her finger still on his shoulder--‘tell me--I
cannot trust him--has Mr. Featherstone committed suicide? Is he dead?’
‘Yes,’ said Richard, extremely mystified, but judging that simple
candour would be the best course to adopt under the circumstances.
‘There was an inquest. Didn’t you see it in the papers?’
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account