Teresa of Watling Street: A Fantasia on Modern ThemesBennett, Arnold
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Teresa of Watling Street: A Fantasia on Modern Themes
Bennett, Arnold
English fiction -- 20th century
At Queen’s Farm, Hockliffe, the excitations of the terrible evening
on which Juana faced her father, and on which Richard and Teresa were
betrothed, seemed to have exhausted the actors in those trying
scenes. Only Teresa herself maintained her spirits through a night
of sleeplessness, and Teresa’s eyes disclosed a simple and profound
happiness of the soul, which proved how well the forced engagement with
Richard suited her inclinations. As for Richard, he, too, was happy in
the betrothal, but his experience of the world--a thousandfold greater
than Teresa’s--was responsible for forebodings that filled him with
apprehension. He could not but feel that disaster--perhaps immediate
disaster--waited upon the schemes of Raphael Craig, those schemes of
whose success the old man was so proudly confident Richard guessed,
naturally, that Raphael Craig was waging war on Simon Lock, and his
common-sense predicted with assurance that in this struggle of the weak
against the strong the strong would crush and the weak would be crushed.
The exact nature of Raphael Craig’s plan, of which Richard was still
in ignorance, seemed to the young man to be a matter of comparative
unimportance. He perceived, at any rate, that the campaign was a
financial one. That was enough; in the realm of finance Simon Lock
had long been peerless, and though, as the newspaper hinted, Simon was
temporarily at a disadvantage, it was absurd to pretend for an instant
that Raphael Craig, undistinguished, even unknown, could win.
So ran the course of Richard’s thoughts as he lay resting during the
early hours of the morning on the Chesterfield in the drawing-room.
Raphael Craig had retired to his room. Teresa had also retired. Juana
and Bridget were attending on the stricken detective. Each had expressed
her intention of sitting up all night. Whenever Richard’s somewhat
somnolent meditations turned in the direction of the detective he
could not help thinking that here, in this sick man, helpless, hurt,
delirious, was the instrument of Simon Lock’s ultimate success. Nolan
knew, or Nolan shrewdly surmised now, that Raphael Craig had grossly
outraged the Coinage Acts. Nolan had doubtless collected a sufficient
body of evidence at least to secure a committal for trial, and so it was
an indubitable fact to be faced that, immediately Nolan recovered,
or partially recovered, the forces of the law would be set in motion
against Craig--against Craig, the father of his betrothed. Then--Queen’s
Farm would doubtless explode like a bomb!
But was Raphael Craig the father of his betrothed? Had Juana lied on
the previous night, or had the old man lied? Here were questions which
Richard preferred to shirk rather than to answer.
Public-domain text, read in full here on John Shaqi.
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