Terrestrial and Celestial Globes Volume 1: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and AstronomyStevenson, Edward Luther
History
Terrestrial and Celestial Globes Volume 1: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and Astronomy
Stevenson, Edward Luther
Geography -- History; Globes
Cartaro first achieved distinction as a designer and engraver in Rome,
where he issued a work containing the portraits of the first twenty-four
Roman Emperors.[331] From Rome it appears that he went to Naples, where
he continued to reside until the time of his death. That he was much
favored in Naples is attested by the fact that he was given a commission
to design or to represent all places and plants in the kingdom, and to
receive for the same “ten scudi per month.”[332] It is probable that as
a result of this commission we have that fine manuscript atlas of
thirteen maps now belonging to the Biblioteca Nationale of Naples,
representing the provinces of the kingdom and signed “M. Cartaro F.
1613.”[333] This manuscript gives striking evidence of his
cartographical ability. The manuscript is of paper, its first map
representing the ancient kingdom of Naples, on which is placed the
Spanish coat of arms. The remaining twelve represent the following named
provinces: Terra di Lavorro, Principato Citra, Principato Ultra,
Basilicata, Calabria Citra, Calabria Ultra, Terra d’Otranto, Terra di
Bari, Capitanata, Contado di Molise, Abruzzo Citra, Abruzzo Ultra.
Cartaro’s globes are of solid wood about 16 cm. in diameter, the balls
being covered with engraved gore maps. On his celestial globes appears
the inscription, “Marius Cartarus Viterbensis Autor incidebat Romae
cũ priv. 1577.” The twelve or rather twenty-four half gores, since
they are cut on the line of the ecliptic, are copper engraved. The
equator, the tropics, the polar circles, and the colures are
represented, the ecliptic and the equator being graduated, the degrees
being alternately colored red and yellow. The several constellations are
well drawn, are colored yellow with shading, and stand out prominently
against a blue background representing the sky. His terrestrial globes
bear the inscription “Marius Cartarus Viterbensis Autor incidebat Romae
MDLXXVII cum privilegio,” the gores being divided, as in the preceding,
into twenty-four. Meridians and parallels are drawn at intervals of
fifteen degrees, alternate degrees being colored red and yellow, the
prime meridian passing through the Canary Islands and being graduated.
In the Osservatorio del Collegio Romano may be found two copies of the
celestial and one example of the terrestrial globe, one of the former
once belonging to the astronomer, Virgilio Spada, and later to the
Biblioteca Vallicelliana. Neither of these globes is well preserved, the
original mountings are wanting, and each rests on a base of wood which
has been merely designed to serve as a support.
Public-domain text, read in full here on John Shaqi.
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