Terrestrial and Celestial Globes Volume 1: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and AstronomyStevenson, Edward Luther
History
Terrestrial and Celestial Globes Volume 1: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and Astronomy
Stevenson, Edward Luther
Geography -- History; Globes
were invited to take up the work under his supervision. At the end of
three years the clock was completed and soon came to be referred to as
one of the seven wonders of Germany. “Truly a masterpiece,” said
Montucla, “and the first of its kind in all Europe by reason of the
numerous movements which it executes.”[341] In the year 1580 a
description of the same was prepared and published by Dasypodius
himself.[342] Although calling for frequent repairs the clock continued
running until the year 1789, when it ceased, and after fifty years had
passed the old mechanism was replaced by new, the work of
Schwilgué.[343] Remarkable as is the entire masterpiece, it is the
globes with which Dasypodius furnished it that especially interest us
here. At the base of the clock is placed a celestial sphere (Fig. 70)
three feet in diameter, supported by four columns of wood richly carved.
On the surface appear the forty-eight Ptolemaic constellations, each
constellation having its appropriate figure, and the 1022 stars which
had been located in Ptolemy’s day. The globe is so connected with the
machinery, by which the various parts of the clock are made to perform
their functions, that it makes one revolution on its axis every
twenty-four hours, thus representing the rising and the setting of the
several celestial bodies. Two circles were added, one carrying the sun
and the other the moon, adjusted so as to turn about the globe, the
first in twenty-four hours, and the second in about twenty-five. The
arrangement of the movements, it appears, was not greatly altered in the
reconstruction of 1838-1842, and the clock, as it now stands, is thus
described by Britten: “On the floor level is a celestial globe
indicating siderial time. In its motion round its axis the globe carries
with it the circles that surround it—namely, the equator, the ecliptic,
the solstitial and equinoctial colures, while the meridian and horizon
circles remain motionless, so that there are shown the rising and the
setting, as well as the passage over the meridian of Strassburg, of all
stars that are visible to the naked eye, and which appear above the
horizon. Behind the celestial globe is the calendar; on a metallic band,
nine inches wide and thirty feet in circumference, are the months and
the days of the months, Dominical letters, fixed and movable feast days.
The band is shifted at midnight, and a statue of Apollo points out the
day of the month and the name of the saint corresponding to that day.
The internal part of the annular band indicates true solar time, the
rising and the setting of the sun, the diurnal motion of the moon around
the earth, and its passage over the meridian, the phases of the moon and
the eclipses of the sun and moon. Adjacent compartments are devoted to a
perpetual calendar, solar and lunar cycles and other periodic
occurrences, solar and lunar equations, etc. Above the calendar appear
allegorical figures, seated in chariots, and representing the days of
the week.
Public-domain text, read in full here on John Shaqi.
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