Terrestrial and Celestial Globes Volume 1: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and AstronomyStevenson, Edward Luther
History
Terrestrial and Celestial Globes Volume 1: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and Astronomy
Stevenson, Edward Luther
Geography -- History; Globes
The making of globe-goblets in the latter half of the sixteenth century
and early seventeenth appears to have been in response to a fashion
especially pronounced in South Germany, although their construction was
not limited to that region. Not a few of such globes are extant, which
are fine examples of the metal worker’s art, having, however, a
decorative rather than a scientific value.
Professor Fischer gives us an interesting description of such a goblet
of gilded silver (Fig. 81), dating from the end of the sixteenth or the
beginning of the seventeenth century, and it is from his account that
the following reference is taken.[367] This piece he pronounces the most
valuable treasure in the plate room of the princely castle of Wolfegg,
to which castle it was the author’s privilege to pay a most interesting
visit more than a decade ago. The globe was long considered a
christening gift from the Emperor Francis to his godson Francis of the
Waldburg zu Wolfegg princely family and was supposed to date from the
end of the eighteenth century. Professor Fischer, however, found this
“globis terrestris” referred to in a testament dated January 17, 1779,
with instructions that it, with certain other treasures, should not be
recast or otherwise altered from its ancient form. It was at that time
recognized as a masterpiece, but from the hands of an unknown master,
and not until recently was it definitely determined to be the work of
the Zürich goldsmith, Abraham Gessner (1552-1613). “Gessner appears to
have manufactured his globe-goblets,” says Fischer, “not in response to
orders previously given, but in the regular pursuit of his trade. At a
time when rich merchants and scholars took such a lively interest in
geography, and the opening up of new countries, he could count upon a
market all the more readily because his goblets were made with the
utmost care in every detail and were perfect examples of the various
branches of the goldsmith’s art; casting, embossing, chasing, engraving,
and solid gilding.”[368]
[Illustration: Fig. 81. Globe-Goblet of Abraham Gessner, ca. 1600.]
The goblet is 58 cm. in height. Its larger globe, a terrestrial, is
composed of two hemispheres joined on the line of the equator, and has a
diameter of 17 cm. The support is a standing figure of Atlas, which also
serves as a stem of the lower half or the lower goblet, just as the
celestial sphere with its support which tops the piece serves as the
stem of the upper half or upper goblet.
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