Terrestrial and Celestial Globes Volume 1: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and AstronomyStevenson, Edward Luther
History
Terrestrial and Celestial Globes Volume 1: Their History and Construction Including a Consideration of their Value as Aids in the Study of Geography and Astronomy
Stevenson, Edward Luther
Geography -- History; Globes
the best that one could find in the Italy, France or Germany of that
day, while the few German words among the numerous Latin names, as
“Baden,” “Braunschweig,” and “Wien,” give some support for the claim
that it is of German origin. A Spanish origin, as has sometimes been
claimed for it, can hardly be accepted.
[Illustration: Fig. 49. Gilt Globe, ca. 1528.]
Parmentier, a native of the famous seaport Dieppe, had in his day, as a
maker of charts, a very substantial reputation. Whether one should
conclude from references to him as a cartographer that he busied himself
with the construction of globes cannot be definitely determined, as
these references indicate that his maps were merely constructed on a
projection which enabled him in some measure to represent the curved
surface of the earth. Schefer, in his work ‘Le discours de la navigation
de Jean et Raoul Permentier,’ says, “Permentier estoit bon cosmographe
et géographe, et par lui ont esté composez plusieurs mappes monde en
globe et en plat et plusieurs cartes marines, sur les quelles plusieurs
ont navigué seurement.” “Parmentier was a good cosmographer and
geographer, and many maps of the world both in the form of globes and as
plane maps were made by him, also numerous marine charts by means of
which many sailed the seas with safety.”[212]
Vasari gives us information concerning one Francesco Libri, member of a
famous Veronese artist family, who won distinction as a globe maker in
the early sixteenth century, and who apparently was most active in this
field of endeavor about the year 1530. Although all trace of the globes
he is said to have constructed is lost, Vasari’s reference is worthy
citation.
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