Of Montague personally she thought but little during those days. Of
Arthur Dermot she thought ceaselessly. Against her will the
individuality of the man imposed itself upon her. Night and day she
thought of him, puzzled, distressed, humiliated, seeking vainly for a
solution to the mystery in which all his actions were wrapped. Why had
he misjudged her thus? What madness had driven him to attempt the other
man’s life? Was he actually mad, she asked herself? It might have
accounted for much, and yet somehow she did not believe it. The man’s
melancholy philosophy was the philosophy of reason, his cynical
acceptance of life the deliberate and trained conclusion of a balanced
mind. His love for herself she found harder to understand, but it moved
her to the depths, appealing to her as nothing had ever appealed before.
His violence, his brutality, had shocked her unspeakably, so that she
prayed passionately that she might never see him again. But yet,
strangely, the appeal still held. By that alone, he had entered the
inner shrine of her heart, and, strive as she might, she could not cast
him out. His love for her might be dead. Never for a moment did she
imagine that it could have survived that awful night. But the memory of
it—ah, the memory of it—it would go with her all through her life,
just as she would remember the purple flower upon the coping in the
Palace garden, a thing of beauty beloved for a while and then lost—the
gift that the gods had offered only to snatch away ere she had grasped
it.
Those days of waiting were as the days spent by a prisoner awaiting
trial, only there was no hope on the horizon. Like one of the prisoners
of old of whom Arthur had told her, she was tethered to her stone and
the first effort she made for freedom would crush her. Though to a great
extent she had regained her strength, she knew that she was not equal to
hard work—such work as she had done for the Bishop. There were times of
faintness and inertia when she felt that the very heart within her must
be worn out, times of overwhelming depression also, when for hours the
tears would well up and fall and she lacked the power to restrain them.
No one knew what she was enduring. There was no one at hand to help her.
Chained to her stone, she waited day by day, not for deliverance but for
the coming of her fate.
And then one day there came a letter from Rotherby, and in that letter
was an enclosure that sent the blood tingling through her veins. He had
sold her sketch for five guineas, and he could dispose of more if she
cared to send them. “Couldn’t you do a companion picture to the
stepping-stones?” he said in conclusion.
His letter held no endearments. It was the most business-like epistle
she had ever received from him, and her gratitude was intense. She sent
him all the sketches she had by the next post, and with them a note
expressing her earnest thanks and asking how he fared.
Public-domain text, read in full here on John Shaqi.
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