He did not ask her to explain, but his eyes followed her perpetually
with a kindling flame which mounted steadily higher, and when they left
the table his hand closed for a moment upon her arm.
She shook it off with a laugh and a shrug. “Every game has its rules,”
she said.
He laughed also, answering her mood. “Every woman makes her own,” he
said.
They went out into the gleaming streets and entered the waiting car. The
unaccustomed luxury was like a dream to Frances. It was no longer an
effort to put the past away from her. It had sunk of itself into the far
dim distance. Very curiously the only memory that remained active in her
mind was that of the purple flower that bloomed upon the coping of the
cloisters in the Bishop’s garden. The vision of that was fantastically
vivid, as it had been on that day of her first talk with Montague
Rotherby.
The pain at her heart had wholly ceased, and she wondered a little,
barely realizing that she had stilled it temporarily with this
anæsthetic of unreality. But a sub-conscious dread of its return made
her steep herself more and more deeply in its oblivion. After all, to
whom did it matter except herself? This man with his cynical eyes was
too experienced a player to be made a loser in one night. And she had so
little left to lose.
She sat in a box with him at the theatre, and though she quickly
absorbed herself in the play, she was aware of his undivided attention
from the beginning.
It even exasperated her at last, so that she turned to him after the
first act with a movement of impatience. “Does it interest you so
little,” she said, “that you can’t even be bothered to glance at the
stage?”
“I have seen it already three times,” he made answer, “and I am more
interested at the present moment in watching the effect it has upon
you.”
She uttered a laugh, but the words gave her an odd feeling of shock. The
play was a fashionable one, but though it compelled her deepest
interest, it held moments of disgust for her as well.
“I should never want to see this more than once,” she said at the end of
the second act.
Whereat he laughed. “Your education has been neglected,” he said. “We
all think like this now-a-days. The puritanical atmosphere of
Tetherstones has spoilt your taste.”
She was silent. Somehow the very word sent a pang to her heart.
He leaned slightly towards her, looking at her. “Tell me about your
sojourn at Tetherstones!” he said. “Were the farm people decent to you?
Were you happy there?”
There was a slighting note in his voice that she found intolerable. She
turned deliberately and met his look.
“You know the Dermots,” she said. “You know quite well that they are not
just—farm-people. Why should you conceal the fact?”
He made a careless gesture. “I know that one of them shot me in mistake
for a rabbit that night I waited for you,” he said. “I was never more
scared in my life. That was the son, I presume? Did he ever mention that
episode to you?”
“Never,” she said.
Public-domain text, read in full here on John Shaqi.
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