Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
are somewhat akin to tapestry, and though the use of them may perhaps
be not so ancient, yet is very old. Here, again, to the people of
Asia, must we look for the finest as well as earliest examples of this
textile. Few are the mediæval specimens of it anywhere, and we are glad
to recommend attention to two pieces of that period fortunately in the
collection, No. 8649, p. 248, of the fourteenth century, and No. 8357,
p. 209, of the sixteenth, both of Spanish make.
As even the antechambers of our royal palaces, so the chancels in most
of our country parish churches used to be strewed with rushes. When,
however, they could afford it, the authorities of our cathedrals, even
in Anglo-Saxon times, sought to spread the sanctuary with carpets; and
at last old tapestry came to be so employed, as now in Italy. Among
such coverings for the floor before the altar, Exeter had a large
piece of Arras cloth figured with the life of the Duke of Burgundy,
the gift of one of its bishops, Edmund Lacy, A.D. 1420, besides two
large carpets, one bestowed by Bishop Nevill, A.D. 1456, the other,
of a chequered pattern, by Lady Elizabeth Courtney: “Carpet et panni
coram altari sternendi--i pannus de Arys de historia Ducis Burgundie--i
larga carpeta, &c.”[366] In an earlier inventory, we find that among
the “bancaria,” or bench-coverings, in the choir of the same cathedral,
A.D. 1327, one was a large piece of English-made tapestry, with a
fretted pattern--“unum tapetum magnum Anglicanum frettatum.”[367] And
we think that as the Record Commission goes on under the Master of the
Rolls, to print our ancient historians, evidences will turn up showing
that the looms at work in all our great monasteries, among other webs,
wrought carpets. From existing printed testimony we know that, in
all likelihood, such must have been the practice at Croyland, where
Abbot Egelric, the second of the name bestowed before the year 992,
when he died, upon his church: “two large foot-cloths
(so carpets were then called) woven with lions to be laid out before
the high altar on great festivals, and two shorter ones trailed all
over with flowers, for the feast days of the Apostles: “Dedit etiam
duo magna pedalia leonibus intexta, ponenda ante magnum altare in
festis principalibus et duo breviora floribus respersa pro festis
Apostolorum.”[368] The quantity of carpeting in our palaces may be seen
by the way in which “my lady the queen’s rooms were strewed with them
‘when she took her chamber.’”[369]
[366] Ed. Oliver, p. 32.
[367] Ib. p. 317.
[368] Ingulphi Hist. ed. Savile, p. 505, b.
[369] Leland’s Collectanea, t. iv. pp. 179, 186, &c.
SECTION IV.
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