Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Sprawling all in gold and lively colours, both before and behind, upon
this rich garment of state, is figured, with all its hideousness, the
imperial five-clawed dragon, before which, according to the royal
fancies of that land, the lion turns pale and the tiger is struck with
dumbness. In the ornamentation the light blue quantity of silk is very
conspicuous, more especially upon the broad lower hem of this robe.
78.
Chasuble of crimson velvet, with both orphreys embroidered; the velvet,
pile upon pile, and figured with large and small flowers in gold and
colour, and other smaller flowers in green and white; the orphreys
figured with the Apostles and the Annunciation. Florentine, late 15th
century. 4 feet 3½ inches by 2 feet 5½ inches.
Like most other chasubles, this has been narrowed, at no late period,
across the shoulders. The velvet is very soft and rich, and of that
peculiar kind that shows a double pile or the pattern in velvet upon
velvet, now so seldom to be found. On the back orphrey, which is quite
straight, is shown St. Peter with his keys; St. Paul with a sword; St.
John blessing with one hand, and holding a chalice, out of which comes
a serpent, in the other; St. James with a pilgrim’s hat and staff:
on the front orphrey the Annunciation, and St. Simon holding a club,
but his person so placed, that, by separating the archangel Gabriel
from the Blessed Virgin Mary, a tau-cross is made upon the breast; St.
Bartholomew with a knife, and St. James the Less with the fuller’s
bat. For their greater part, the Gothic niches in which these figures
stand, are loom-wrought; but these personages themselves are done
on separate pieces of fine canvas and are applied over spaces left
uncovered for them. Another curious thing is that in these applied
figures the golden parts of the draperies are woven, and the spaces
for the heads and hands left bare to be filled in by hand; and most
exquisitely are they wrought, for some of them are truly beautiful as
works of art.
79.
Cope, crimson velvet, with hood and orphrey embroidered, &c.
Florentine, late 15th century. 9 feet 5½ inches by 4 feet 6 inches.
Public-domain text, read in full here on John Shaqi.
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