Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Cradle-coverlet; white satin quilted, after a design of fruits, and
branches of leaves upon a chequer pattern. French, 18th century. 3 feet
2½ inches by 3 feet.
Among the fruits the symbolic pomegranate is not forgotten, perhaps as
expressive of the wish that the young mother to whom this quilt may
have been given by a lady friend, might have a numerous offspring,
hinted at by the many pips in the fruit.
723.
Door-curtain of silk damask; ground, crimson; pattern, scrolls in gold
foliage, and flowers in coloured silks. Italian, early 17th century. 6
feet 7 inches by 3 feet 5 inches.
This is a fine rich stuff; it is lined with purple satin, and must
have been very effective when in use.
724.
Chasuble of woven silk; ground, white; pattern, floral scrolls in
green, and lined pink; the cross at the back and the two stripes in
front in gold lace of an open design. French, 18th century. 4 feet 2
inches by 2 feet 5 inches.
The open-worked lace is good of its kind.
725.
Altar-frontal of crimson velvet, ornamented on three sides with a
scroll ornamentation in gold, and applied; and with seven armorial
bearings all the same. French, 17th century. 6 feet 1 inch by 2 feet
6½ inches.
The armorial shield, as it stands at present, is--_azure_ a cross
ankred _sable_ between two fleur-de-lis _argent_. On looking narrowly
at the azure velvet on which these charges are worked, it is evident
that something has been picked out, and, in its place, the sable-cross
has been afterwards wrought in, thus explaining the anomaly of colour
upon colour not in the original bearing. The applied ornaments in
gold are in flowers and narrow gold lace, and of a rich and effective
manner.
726.
Cradle-coverlet of white satin; embroidered in white, with a roving
border of flowers, and fringed. French, 18th century. 3 feet 5½
inches by 2 feet 8 inches.
Rich in its material, and nicely wrought.
727.
Skirt of a Lady’s Dress; sky-blue satin, quilted round the lower border
with a scroll of large palmate leaves, and bunches of flowers, with an
edging of fruits, in which the pomegranate may be seen. Italian, 18th
century. 8 feet 9 inches by 3 feet.
The pattern in which the quilting comes out is very tasteful; and the
body of this skirt has an ornamentation in quilting of a cinquefoil
shape, and made to lap one over the other in the manner of tiles.
728.
Piece of Silk Damask; ground, bright yellow silk ribbed; pattern, white
plumes twined with brown ribbons, and bunches of white flowers. Lucca,
17th century. 8 feet 10 inches by 7 feet.
Of rich material and wrought for household use.
729.
Door-curtain of yellow silk damask; pattern, strap-work and
conventional foliage. Italian, 17th century. 7 feet 2 inches by 5 feet.
A bold design, and wrought in a good material.
730.
Public-domain text, read in full here on John Shaqi.
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