Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
Web for Orphreys; ground, fawn-coloured silk; design, almost all in
gold, sitting on a throne beneath a Gothic canopy the Blessed Virgin
Mary, crowned and nimbed, with our Lord as a child upon her lap,
alternating with a circle bearing within it the sacred monogram (worked
the wrong way) done in blue silk, surrounded by golden rays. German,
middle of 15th century. 11¼ inches by 4½ inches.
The design of this orphrey-web is good, but the gold so amalgamated
with copper that it has become quite brown. Though the monogram is
that usually seen in the hands of St. Bernardinus of Sienna, and the
drawing of the group of the Blessed Virgin Mary and the sacred Child
is somewhat Italian, this was not the work of any Italians loom; for
in no part of Italy would the monogram have had given it letters of
such a German type.
1336.
Silk Damask; ground and pattern in rich crimson; design, eight-cusped
ovals, each cusp tipped not with a flower, but tendrils; the ovals
enclose a conventional artichoke purfled with flowers; and the spaces
between the ovals are filled in with small artichokes in bloom.
Spanish, 15th century. 20 inches by 14¾ inches.
This is a fine specimen both for the richness of its silk and the warm
and mellow tint of its ground, upon which the pattern comes out in a
duller tone. Further on we shall meet with another stuff, No. 1345,
which must have proceeded from the same loom, and shows in its design
many elements of the one in this. Either Granada or Almeria produced
this fine piece, which affords us, in the brilliancy of its colour, an
apt sample of our old poet Chaucer’s dress for one of his characters,
of whom he tells us,--
“In sanguin and in perse he clad was alle;”
and helps us to understand Spenser’s allusion to the young maiden’s
blushes:--
“How the red roses flush up in her cheekes
... with goodly vermill stayne,
Like crimson dyde in grayne.”
1337.
Web for Orphreys; ground, crimson silk; design, in gold thread, a
straight branch of a tree bearing pairs of boughs with flowers,
alternating with other boughs with sprigs of leaves. German, early 16th
century. 14½ inches by 2½ inches.
The warp of this web is thick linen thread, and where the woof of
crimson silk is worn away, this thread, as if part of the design,
shows itself; and, as the gold is poor and sparingly put on, the
specimen now looks shabby. Like many other samples of the kind, woven,
probably, at Cologne, this was intended as the narrow orphrey on
liturgical garments.
1338.
An Apparel to an Alb; ground, strong linen; design, within twining
boughs bearing flowers and leaves, a dove and a lamb, all in
various-coloured silks and outlined in narrow strips of leather.
Spanish, early 15th century. 13 inches square.
Public-domain text, read in full here on John Shaqi.
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