will be found that these colours alternate with the alternating tints of the panes upon which they are sewed. So often do the passages in the romance here figured correspond with certain parts in the wild legend of our own far-famed “Sir Guy of Warwick,” that, at first sight, one might be led to think that as his renowned story was carried all through Christendom, we had before us his mighty feats and triumph over the dragon in Northumberland, set forth in this handiwork of some lady-reader of his story. 1371. Worsted Work; ground, green; design, conventional flowers in yellow, with, at one end, a border of foliated boughs, the leaves of which are partly green, partly red, and an edging of a band made up of white, green, yellow, scarlet straight lines on the inner side; on three sides there is a narrow listing of bluish-green lace. German, 15th century. 4 feet 3¼ inches by 1 foot 10 inches. In all probability this was intended and used as a carpet for some small altar-step. It is worked upon coarse canvas. 1372. Piece of Needlework; pattern, upon bell-shaped spaces of silver thread, flowers mostly white and shaded yellow, divided by a sort of imperial high-peaked cap of blue shaded white, arising out of a royal crown. 17th century. 12½ inches by 7½ inches. 1372A. Border to an Altar-cloth, embroidered; ground, crimson silk; design, animals and birds amid branching foliage and fleurs-de-lis, well raised in white and gold; the upper part linen, wrought into lozenges alternately crimson and yellow, braced together by a fret, and filled in with narrow bars saltire wise. German, 15th century. 3 feet 10¼ inches by 11½ inches. Among the animals is the symbolic lamb and flag, with a chalice underneath its head. From the exact similarity of style in the ornamentation and needlework, there can be no doubt but the same hand which wrought the stole, No. 1322, worked this piece, and probably both formed a portion of the same set of ornaments for the chantry chapel of some small family. 1373. Cope; ground, green raised-velvet; design, amid leaves of a heart-shape or cordate, freckled with a kind of check, large conventional artichokes. The orphreys are of web, figured, on a golden ground, with saints, inscription, and flower-bearing trees; the hood is ornamented with applied cut-work and needle embroidery, and the morse is of plain velvet. The raised velvet is Italian, 16th century; the orphrey web, German, 16th century; the embroidery of the hood, 16th century. 9 feet 2 inches by 3 feet 11¼ inches.