Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
History
Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
The leaves, now so white, were originally of gold, but of so poor a
quality that the metal is almost worn off the threads.
7031.
Silk Ribbon; ground, green and gold; pattern, squares and lozenges on
one bar, spiral narrow bands on another, the bars alternating. Italian,
early 17th century. 8 inches by 8¼ inches.
Both silk and gold are good in this simple pattern.
7032.
Silk Damask; ground, crimson; pattern, a square enclosing a floriation;
both in bright yellow. Spanish, 15th century. 8 inches by 4½ inches.
Designed on Moorish principles, and coarse in its workmanship.
7033.
Silk Texture; ground, yellow; pattern, net-work, with flowers and
mullets, all in dark blue. Sicilian, late 14th century. 10 inches by
3½ inches.
Of a simple design and poor in texture, and probably meant as the
lining for a richer kind of stuff.
7034.
Silk Damask; ground, crimson silk; pattern, in gold thread, two very
large lions, and two pairs, one of very small birds, the other of
equally small dragons, and an ornament like a hand looking-glass.
Oriental, 14th century. 2 feet 4 inches by 2 feet.
The large lions, which strongly resemble, in their fore-legs, the
Nineveh ones in the British Museum, are placed addorsed regardant and
looking upon two very small birds, while between their heads stands
what seems like a looking-glass, upon a stem or handle; at the feet of
these huge beasts are two little long-tailed, open-mouthed, two-legged
dragons. The whole of this design now appears to be in coarse yellow
thread, which once was covered with gold, but so sparingly and with
such poor metal that not a speck of it can now be detected anywhere in
this large specimen. The probability is that this stuff was wrought
in some part of Syria, for the European market; at the lions’ necks
are broad collars bearing two lines or sentences in imitated Arabic
characters. Copes and chasubles for church use during the Middle Ages
were often made of silks like this. Dr. Bock has figured this very
piece in his “Geschichte der Liturgischen Gewänder des Mittelalters,”
t. i. pl. iv.
7035.
Silk and Linen Texture; ground, crimson; pattern, star-like flowers.
Spanish, 15th century. 5¾ inches by 2½ inches.
Poor in design as well as material.
7036.
Silk Diapered, with a man wrestling with a lion repeated; ground,
crimson, the diaper in various colours, and the waving borders in
creamy white, edged black, and charged with crimson squares, and fruits
crimson and deep green. Byzantine, 12th century. 15¾ inches by
12½ inches.
Public-domain text, read in full here on John Shaqi.
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