Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the MuseumRock, Daniel
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Textile Fabrics: A Descriptive Catalogue of the Collection of Church-vestments, Dresses, Silk Stuffs, Needlework and Tapestries, forming that Section of the Museum
Rock, Daniel
Art objects -- England -- London -- Catalogs; Textile fabrics
The gold thread was so poor that the precious metal has almost
entirely disappeared; but when all was new, this stuff must have
looked particularly grand. The large red rose, and the pomegranate,
make it seem as if it had been wrought, in the first instance, for
either our Henry the Seventh, or Henry the Eighth, after the English
marriage of Catherine of Arragon.
7076.
Raised Velvet and Gold; pattern, conventional flowers in gold, upon
tawny-coloured velvet. Genoese, late 15th century. 12 inches by 8
inches.
The gold of the design is, in parts, nicely diapered; and the gold
thread itself thin, and now rather tarnished.
7077.
Raised Crimson Velvet; pattern, an artichoke amid flowers. Genoese,
late 15th century. 16½ inches by 11½ inches.
The pile is rich; and when it is borne in mind how the Emperor Charles
V. honoured Andrea Dorea, it is not surprising that his countrymen had
a partiality for the Spanish emblem of their great captain’s admirer.
7078.
Raised Blue Velvet; ground, deep blue; pattern, within an outlined
seven-petaled floriation in silk, an artichoke, with sprigs of flowers
shooting out of it. Genoese, late 15th century. 17½ inches by 10¼
inches.
Though much worn by hard usage, this stuff is of a pleasing effect,
owing to its agreeable design, which not unfrequently occurs perfect,
and consists of a kind of circle in narrow lines, somewhat in the
shape of a flower, but having at the tips of its prominent feathering
cusps of florets.
7079.
Figured Blue Velvet; embroidered in gold thread, with cinquefoils,
enclosing a floriation of the artichoke form, with smaller ones around
it. Spanish, 15th century. 15 inches by 9½ inches.
By the shape of this piece it must have been cut off from the end of a
chasuble. Though the velvet is rich, the embroidery is poor, done as
it is in thin outline, but still of a good form.
7080.
Orphrey Web, silk and gold; ground, crimson; pattern, on a gold
diapering, conventional floriations and scrolls, in one of which is the
bust of St. Peter, with his key in one hand and a book in the other.
Florentine, late 15th century. 21 inches by 8 inches.
Like many other samples, this rich web of crimson silk and fine gold
thread was wrought for those kinds of broad orphreys needed for
chasubles and copes; and sometimes worked up into altar-frontals.
7081.
Silk Damask; ground, yellow; pattern, net-work, the meshes, which are
looped to each other, filled in with a conventional floriated ornament,
all in green. Italian, 16th century. 16½ inches by 10¾ inches.
Intended for household adornment. This stuff must have had an
agreeable effect, though the green has somewhat faded.
7082.
Silk Damask; ground, yellowish pale green; pattern, a diapering of very
small leaves and flowers. Oriental, 13th century. 6½ inches by 5¾
inches.
Just like No. 7056, and needing the same near inspection to find out
its small but well-managed delicate design.
7083.
Public-domain text, read in full here on John Shaqi.
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