Novelists, English -- 19th century -- Biography; Thackeray, William Makepeace, 1811-1863
That he is grammatical I must leave to my readers' judgment, with a
simple assertion in his favour. There are some who say that grammar,--by
which I mean accuracy of composition, in accordance with certain
acknowledged rules,--is only a means to an end; and that, if a writer
can absolutely achieve the end by some other mode of his own, he need
not regard the prescribed means. If a man can so write as to be easily
understood, and to convey lucidly that which he has to convey without
accuracy of grammar, why should he subject himself to unnecessary
trammels? Why not make a path for himself, if the path so made will
certainly lead him whither he wishes to go? The answer is, that no other
path will lead others whither he wishes to carry them but that which is
common to him and to those others. It is necessary that there should be
a ground equally familiar to the writer and to his readers. If there be
no such common ground, they will certainly not come into full accord.
There have been recusants who, by a certain acuteness of their own, have
partly done so,--wilful recusants; but they have been recusants, not to
the extent of discarding grammar,--which no writer could do and not be
altogether in the dark,--but so far as to have created for themselves a
phraseology which has been picturesque by reason of its illicit
vagaries; as a woman will sometimes please ill-instructed eyes and ears
by little departures from feminine propriety. They have probably
laboured in their vocation as sedulously as though they had striven to
be correct, and have achieved at the best but a short-lived
success;--as is the case also with the unconventional female. The charm
of the disorderly soon loses itself in the ugliness of disorder. And
there are others rebellious from grammar, who are, however, hardly to be
called rebels, because the laws which they break have never been
altogether known to them. Among those very dear to me in English
literature, one or two might be named of either sort, whose works,
though they have that in them which will insure to them a long life,
will become from year to year less valuable and less venerable, because
their authors have either scorned or have not known that common ground
of language on which the author and his readers should stand together.
My purport here is only with Thackeray, and I say that he stands always
on that common ground. He quarrels with none of the laws. As the lady
who is most attentive to conventional propriety may still have her own
fashion of dress and her own mode of speech, so had Thackeray very
manifestly his own style; but it is one the correctness of which has
never been impugned.
Public-domain text, read in full here on John Shaqi.
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