There now remains to be discussed the matter of our author's work. The manner and the style are but the natural wrappings in which the goods have been prepared for the market. Of these goods it is no doubt true that unless the wrappings be in some degree meritorious the article will not be accepted at all; but it is the kernel which we seek, which, if it be not of itself sweet and digestible, cannot be made serviceable by any shell however pretty or easy to be cracked. I have said previously that it is the business of a novel to instruct in morals and to amuse. I will go further, and will add, having been for many years a most prolific writer of novels myself, that I regard him who can put himself into close communication with young people year after year without making some attempt to do them good, as a very sorry fellow indeed. However poor your matter may be, however near you may come to that "foolishest of existing mortals," as Carlyle presumes some unfortunate novelist to be, still, if there be those who read your works, they will undoubtedly be more or less influenced by what they find there. And it is because the novelist amuses that he is thus influential. The sermon too often has no such effect, because it is applied with the declared intention of having it. The palpable and overt dose the child rejects; but that which is cunningly insinuated by the aid of jam or honey is accepted unconsciously, and goes on upon its curative mission. So it is with the novel. It is taken because of its jam and honey. But, unlike the honest simple jam and honey of the household cupboard, it is never unmixed with physic. There will be the dose within it, either curative or poisonous. The girl will be taught modesty or immodesty, truth or falsehood; the lad will be taught honour or dishonour, simplicity or affectation. Without the lesson the amusement will not be there. There are novels which certainly can teach nothing; but then neither can they amuse any one.