Novelists, English -- 19th century -- Biography; Thackeray, William Makepeace, 1811-1863
which ladies used to love, true as steel, loyal as faith himself, with a
power of self-abnegation which astonishes the criticising reader when he
finds such a virtue carried to such an extent without seeming to be
unnatural. To draw the picture of a man and say that he is gifted with
all the virtues is easy enough,--easy enough to describe him as
performing all the virtues. The difficulty is to put your man on his
legs, and make him move about, carrying his virtues with a natural gait,
so that the reader shall feel that he is becoming acquainted with flesh
and blood, not with a wooden figure. The virtues are all there with
Henry Esmond, and the flesh and blood also, so that the reader believes
in them. But still there is left a flavour of the character which
Thackeray himself tasted when he called his hero a prig.
The two heroines, Lady Castlewood and Beatrix, are mother and daughter,
of whom the former is in love with Esmond, and the latter is loved by
him. Fault has been found with the story, because of the unnatural
rivalry,--because it has been felt that a mother's solicitude for her
daughter should admit of no such juxtaposition. But the criticism has
come, I think, from those who have failed to understand, not from those
who have understood, the tale;--not because they have read it, but
because they have not read it, and have only looked at it or heard of
it. Lady Castlewood is perhaps ten years older than the boy Esmond, whom
she first finds in her husband's house, and takes as a protege; and from
the moment in which she finds that he is in love with her own daughter,
she does her best to bring about a marriage between them. Her husband is
alive, and though he is a drunken brute,--after the manner of lords of
that time,--she is thoroughly loyal to him. The little touches, of which
the woman is herself altogether unconscious, that gradually turn a love
for the boy into a love for the man, are told so delicately, that it is
only at last that the reader perceives what has in truth happened to the
woman. She is angry with him, grateful to him, careful over him,
gradually conscious of all his worth, and of all that he does to her and
hers, till at last her heart is unable to resist. But then she is a
widow;--and Beatrix has declared that her ambition will not allow her to
marry so humble a swain, and Esmond has become,--as he says of himself
when he calls himself "an old gentleman,"--"the guardian of all the
family," "fit to be the grandfather of you all."
Public-domain text, read in full here on John Shaqi.
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