But, alas! Iffley Mill, once the glory of the river at this point, is at the moment of writing, a blackened heap of ruins, and it is not expected that it will be rebuilt. Even if it be, that will not be the Iffley Mill beloved of artists these many generations past. Thus ends the old manorial mill that has existed, in one form or another, on this spot, since the Norman conquest, and probably earlier still, for the place is mentioned in Anglo-Saxon charters dated 945 A.D., in which it is styled “Giftelei.” It is said that “Iffley” has been spelled in eighty different ways, and Iffley Mill has probably been sketched, painted, and photographed as many thousand times; and, that being so, we will leave the mill, for once, unillustrated. Enthusiastic local writers have often claimed for Iffley church that it is the finest Norman country parish church in England. It is not really quite that, but it is certainly among the finest. It is a large building, of late Norman architecture, built about 1170, when the gaunt, grim early Norman style had developed into something which, although not less massive, was more ornate and decorative. It is a church without aisles. The West front is imposing, and particularly rich, exhibiting a deeply-recessed door, with circular window above, and three windows above that. The circular window is a restoration, of some fifty years ago, of the original, destroyed in the eighteenth century and replaced by a larger, with the object, sufficiently laudable in itself, but archæologically lamentable, of admitting more light. The highly-enriched doorway, with characteristic beak, cable, and chevron devices, is protected by a bold hood-mould, finely sculptured with the signs of the zodiac. The low, square central tower is unaltered, but most of the windows in the body of the church have been remodelled at different periods in the long history of Gothic architecture. The chancel, originally apsidal, was lengthened about 1270, in the Early English style. The chancel-arch is curiously carved, and the roof is massively groined in stone. The ancient black marble font is as old as the building itself, and may be compared with a somewhat similar, but more elaborate, series in Winchester Cathedral, East Meon church, and St. Michael’s, Southampton. On the north side of Iffley church is an enormous, widespreading yew, probably as old as the church itself, and still healthy. Beside it stands a restored churchyard cross. [Illustration: WEST DOOR, IFFLEY CHURCH.]