Eurasians -- Fiction; India -- History -- British occupation, 1765-1947 -- Fiction
There is something so peculiar in that stare, a concentration of the
negation of intellect and intelligence in appearance of an Englishman’s
face, when listening; a dull, cold look, as expressionless as the
countenance of a heathen stone idol, that freezes one, and makes him
feel that he is saying something foolish or impudent. Whether it is from
lack of quick comprehension, or considered good form, I do not know. The
English, I should judge, are not a smiling nation. They are as solid and
substantial, even in the expression of their faces, as their heavy meat
and drink can make them. They are slow-witted, and their jokes, except
what they import, are so ponderous that they reminded me of our
perfunctory religious exercises on a cold morning at school, and of our
tasks in reciting the Litany, only that the jokes lacked the response,
“Good Lord deliver us.”
I had purchased some books for light reading in my off hours, and among
them was “Pelham” by Lord Lytton. I was greatly surprised to find this
passage, a severer criticism on his countrymen than I am capable of
making. This was probably written on the view that a man may call
himself a dog, but let another beware of saying it of him. “The English
of the fashionable world make business an enjoyment, and enjoyment a
business; they are born without a smile; they rove about public places
like so many easterly winds—cold, sharp and cutting; or like a group of
fogs on a frosty day, sent out of his hell by Boreas, for the express
purpose of looking black at one another. When they ask you ‘how you do,’
you would think they were measuring the length of your coffin. They are
ever, it is true, laboring to be agreeable, but they are like Sisyphus,
the stone they rolled up the hill with so much toil, runs down again,
and hits you a thump on the legs. They are sometimes polite, but
invariably uncivil; their warmth is always artificial—their cold never.
They are stiff without dignity, and cringing without manners. They offer
you an affront, and call it ‘plain truth,’ they wound your feelings, and
tell you it is merely to ‘speak their minds,’ at the same time, while
they have neglected all the graces and charities of artifice, they have
adopted all its falsehood and deceit. While they profess to abhor
servility, they adulate the peerage; while they tell you they care not a
rush for the minister, they move heaven and earth for an invitation from
the minister’s wife. Then their amusements! The heat, the dust—the
sameness—the slowness of that odious park in the morning, and the same
exquisite scene repeated in the evening on the condensed stage of a rout
room, where one has more heat with less air, and a narrower dungeon,
with diminished possibility of escape! We wander about like the damned
in the story of Vathek, and we pass our lives like the royal philosopher
of Prussia in conjugating the verb, ‘je m’ennuie.’”
Public-domain text, read in full here on John Shaqi.
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