She noticed Akkomi outside the door, but did not speak to him. She heard
the miner enter the other cabin and assist Harris to his couch and then
depart. She wondered a little that the old Indian still sat there smoking,
instead of spreading his blanket, as Overton had invited him to do.
A book of poems, presented to her by Lyster, was so engrossing, however,
that she forgot the old fellow, until a movement at the door aroused her,
and she turned to find the silent smoker inside her cabin.
But it was not Akkomi, though it was the cloak of Akkomi that fell from
his shoulders.
It was a man dressed as an Indian, but his speech was the speech of a
white man, as he frowned on her white, startled face.
"So, my fine lady, I've found you at last, even if you have got too high
and mighty to come when I sent for you," he said, growlingly. "But I'll
change your tune very quick for you."
"Don't forget that I can change yours," she retorted. "A word from me, and
you know there is not a man in this camp wouldn't help land you where you
belong--in a prison, or at the end of a rope."
"Oh, no," and he grimaced in a sardonic way. "I'm not a bit afraid of
that--not a bit in the world. You can't afford it. These high-toned
friends you've been making might drop off a little if they heard your old
record."
"And who made it for me?" she demanded. "You! You've been a curse to every
one connected with you. In that other room is a man who might be strong
and well to-day but for you. And there is that girl buried over there by
the picture rocks of Arrow Lake. Think of my mother, dragged to death
through the slums of 'Frisco! And me--"
"And you with a gold mine, or the price of one," he concluded--"plenty of
money and plenty of friends. That is about the facts of your
case--friends, from millionaires down to that digger I saw you with the
other night."
"Don't you dare say a word against him!" she exclaimed, threateningly.
"Oh, that's the way the land lies, is it?" he asked, with an ugly leer at
her. "And that is why you were playing 'meet me by moonlight alone,' that
night when I saw you together at the spring. Well, I think your money
might help you to some one besides a married man."
"A married man?" she gasped. "Dan!"
"Dan, it is," he answered, insolently. "But you needn't faint away on that
account. I have other use for you--I want some money."
"You are telling that lie about him because you think it will trouble me,"
she said, regarding his painted face closely and giving no heed to his
demand. "You know it is not true."
"About the marriage? I'll swear--"
"I would not believe your oath for anything."
"Oh, you wouldn't? Well, now, what if I prove to you, right in this camp,
that I know his wife?"
"His wife?" She sat down on the side of the couch, and all the cabin
seemed whirling around her.
Public-domain text, read in full here on John Shaqi.
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