That Marvel—The Movie: A Glance at Its Past, Its Promising Present and Its Significant FutureVan Zile, Edward S. (Edward Sims)
History
That Marvel—The Movie: A Glance at Its Past, Its Promising Present and Its Significant Future
Van Zile, Edward S. (Edward Sims)
Motion pictures
The call of the wild and the rattle of a Ford car are strangely
incongruous sounds, but they have been dramatically brought
together of late. Adventurous dare-devils in various parts of
the world are using the camera to rescue from oblivion the
vanishing fauna of the outlands. The defiant jungle surrenders
unconditionally to the tin Lizzie. I recently spent an enjoyable
and enlightening evening watching H. A. Snow hunting big game in
Africa with his gun and his photographic apparatus and
repeatedly looking death in the face that posterity might
possess a picture of the animal life under the equator that is
destined presently to become obsolete. The lion, rhinoceros,
elephant, giraffe, zebra, hippopotamus, wild buck, ostrich,
baboon, camel, gnu were ours for a time to study at close range,
revealed to us in their native habitat without the necessity
upon our part of spending months in constant peril from heat,
snakes, carnivora, fever, and other enemies which war against
the white man in African wilds.
As I watched the screen that evening, my memory went back nearly
half a century. It brought to my mind the picture of a boy
curled up in a library chair and absorbed in the pages of Paul
du Chaillu’s book “Under the Equator,” a book whose revelations
of wild life in Africa subjected the author to a period during
which he was suspected of being a Baron Munchausen, or, as we
would say to-day, a Dr. Cook. There were skeptics who bluntly
asserted that the French explorer had evolved the gorilla out of
his own inner consciousness.
Eventually, of course, du Chaillu’s veracity was established;
but, victim as he was of the limitations of his generation, he
could not at first furnish to the public convincing proof that
his tales of adventure and discovery in the African jungle were
founded upon fact. To-day the explorer, arctic or tropical,
returns to civilization as to Missouri—prepared to show all
scoffers that their incredulity is ridiculous. Defiantly he has
turned a crank while sudden death from a polar bear or a jungle
elephant is close at hand; and eventually the imminence of the
peril, the suspense of a tragic moment, are within the power of
the screen to transmit to wide-eyed audiences safely seated
twenty thousand miles away from the scene of the thrilling
episode!
Public-domain text, read in full here on John Shaqi.
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