That Marvel—The Movie: A Glance at Its Past, Its Promising Present and Its Significant FutureVan Zile, Edward S. (Edward Sims)
History
That Marvel—The Movie: A Glance at Its Past, Its Promising Present and Its Significant Future
Van Zile, Edward S. (Edward Sims)
Motion pictures
“Ye have taken away the key of knowledge!” The crime of crimes, the
unforgiveable sin! In this indictment that He brings against
professional hair-splitters and obstructionists, selfishly standing in
the way of human progress, the Christ gives divine sanction to Man’s
efforts to satisfy the irresistible craving in his soul for light, ever
more light, in the darkness through which he gropes. The fruit of the
Tree of Knowledge is not, as in the old Eden legend, accursed, but is
proclaimed by the Savior as food essential to that spiritual growth
without which there could be no hope for our race.
The late Andrew D. White, in his great book dealing with the obstacles
against which Science has had to struggle in its effort to enlarge the
diameter of Man’s knowledge, paints a vivid picture of the tragic
effects wrought by various forms of censorship upon the pathetic,
heroic, Christ-sanctioned efforts of the human race to employ freely the
key of knowledge to the end that we may always use “our dead selves as
stepping-stones to higher things.” Prison, the stake, massacre, war—what
weapon has not been used by the foes of enlightenment that they might
check mankind in its rise toward heights upon which the ancient,
unhallowed prerogatives of a few reactionaries could not survive? And
always, in some form or other, censorship has been the most serviceable
weapon, both in times of war and times of peace, by which relentless
unprogressives could break the spirit of those who strove to loosen the
shackles of ignorance from the human spirit. The marvel is not that Man
knows so much to-day as the fact that he has won what he knows against
almost insuperable odds.
There came to New York from somewhere in the West a year or so ago a
loquacious fanatic who loudly asserted that the earth is flat. The
metropolis refused to take this peripatetic crank seriously, gave him a
passing glance and laugh, and went on its busy way, momentarily
astonished, perhaps, at the amazing stubbornness displayed by outworn
errors in refusing to remain dead and buried. It is seldom, of course,
that the call of the past, the urge to ignorance and reaction, is so
blatantly and audaciously sounded, but Dowie of Zion City differed only
in degree and not in kind from those frequently well-intentioned but
always misguided busybodies who believe that the screen can be kept
decent not by public opinion and commercial common-sense, but only by
groups of three, or five, or seven individuals wielding the arbitrary
power of censorship.
Public-domain text, read in full here on John Shaqi.
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