The £1,000,000 bank-note, and other new storiesTwain, Mark
General
The £1,000,000 bank-note, and other new stories
Twain, Mark
American essays -- 19th century; American fiction -- 19th century; Humorous stories, American
The curtains of
the stage waved continually by the repelled forces that were given to
them, which caused Leos to behold Ambulinia leaning upon the chair of
Elfonzo. Her lofty beauty, seen by the glimmering of the chandelier,
filled his heart with rapture, he knew not how to contain himself; to go
where they were would expose him to ridicule; to continue where he was,
with such an object before him, without being allowed an explanation in
that trying hour, would be to the great injury of his mental as well as
of his physical powers; and, in the name of high heaven, what must he
do? Finally, he resolved to contain himself as well as he conveniently
could, until the scene was over, and then he would plant himself at the
door, to arrest Ambulinia from the hands of the insolent Elfonzo, and
thus make for himself a more prosperous field of immortality than ever
was decreed by Omnipotence, or ever pencil drew or artist imagined.
Accordingly he made himself sentinel, immediately after the performance
of the evening—retained his position apparently in defiance of all the
world, he waited, he gazed at every lady, his whole frame trembled; here
he stood until everything like human shape had disappeared from the
Institution, and he had done nothing; he had failed to accomplish that
which he so eagerly sought for. Poor, unfortunate creature! he had not
the eyes of an Argus, or he might have seen his Juno and Elfonzo,
assisted by his friend Sigma, make their escape from the window, and,
with the rapidity of a racehorse, hurry through the blast of the storm,
to the residence of her father, without being recognised. He did not
tarry long, but assured Ambulinia the endless chain of their existence
was more closely connected than ever, since he had seen the virtuous,
innocent, imploring, and the constant Amelia murdered by the
jealous-hearted Farcillo, the accursed of the land.
The following is the tragical scene, which is only introduced to show
the subject matter that enabled Elfonzo to come to such a determinate
resolution, that nothing of the kind should ever dispossess him of his
true character, should he be so fortunate as to succeed in his present
undertaking.
Amelia was the wife of Farcillo, and a virtuous woman; Gracia, a young
lady, was her particular friend and confidant. Farcillo grew jealous of
Amelia, murders her, finds out that he was deceived, _and stabs
himself_. Amelia appears alone, talking to herself.
Public-domain text, read in full here on John Shaqi.
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