The £1,000,000 bank-note, and other new storiesTwain, Mark
General
The £1,000,000 bank-note, and other new stories
Twain, Mark
American essays -- 19th century; American fiction -- 19th century; Humorous stories, American
Columbus’s ship being small and very old, we know that we may draw from
these two facts several absolute certainties in the way of minor details
which history has left unrecorded. For instance, being small, we know
that she rolled and pitched and tumbled in any ordinary sea, and stood
on her head or her tail, or lay down with her ear in the water, when
storm-seas ran high; also, that she was used to having billows plunge
aboard and wash her decks from stem to stern; also, that the storm-racks
were on the table all the way over, and that, nevertheless, a man’s soup
was oftener landed in his lap than in his stomach; also, that the
dining-saloon was about ten feet by seven, dark, airless, and
suffocating with oil-stench; also, that there was only about one
state-room—the size of a grave—with a tier of two or three berths in it,
of the dimensions and comfortableness of coffins, and that when the
light was out, the darkness in there was so thick and real that you
could bite into it and chew it like gum; also, that the only promenade
was on the lofty poop-deck astern (for the ship was shaped like a
high-quarter shoe)—a streak sixteen feet long by three feet wide, all
the rest of the vessel being littered with ropes and flooded by the
seas.
We know all these things to be true, from the mere fact that we know the
vessel was small. As the vessel was old, certain other truths follow as
matters of course. For instance, she was full of rats, she was full of
cockroaches, the heavy seas made her seams open and shut like your
fingers, and she leaked like a basket; where leakage is, there also, of
necessity, is bilgewater; and where bilgewater is, only the dead can
enjoy life. This is on account of the smell. In the presence of
bilgewater, Limburger cheese becomes odourless and ashamed.
Public-domain text, read in full here on John Shaqi.
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