The abandoned farm, and Connie's mistakeHolmes, Mary Jane
General
The abandoned farm, and Connie's mistake
Holmes, Mary Jane
American fiction -- 20th century
When she had drank her tea and was warm, Mrs. Hart began to look around
her with some curiosity. Everything was old and faded, but rich in its
way, and telling of a past when the Costellos held their heads among the
best in the city. The count had not deceived her in that respect. His
palace might be no better than a barn, but his family, though poor, was
all he had represented it to be. He, too, was very kind, and in his own
house assumed a dignity he had before lacked. A few of his acquaintances
called, and were especially kind to Connie, who, had she chosen, might
have been a belle in the Costello society, but she disliked the
Italians. She disliked Genoa and the dark, dull old house, with the
punctilious etiquette the count required from his wife and herself and
his three servants, who were required to do the work of six.
Occasionally she had bits of news from the outside world, but no letter
reached her, and she ceased at last to expect one. Deserted, was the
bitter thought always present with her, and the soft air of Italy failed
to bring back the color to her cheeks and the brightness to her eyes,
and thus the winter wore on until March, when they went to Florence,
where they found the Costello villa in better repair than the palace in
Genoa had been. There were many Americans in the city, and Connie always
scanned them curiously, hoping for a face she never found, either there
or elsewhere during the summer, a part of which was spent in Paris and a
part in Switzerland, but not at Interlaken. The countess did not care to
go there, and for Connie there were so many sad memories connected with
it that she loathed the thought of seeing it again. The count was fond
of travel, and as his wife’s money held out they moved from place to
place during the autumn and winter, until the first of February found
them again in Genoa, nearly a year after they had left it.
Public-domain text, read in full here on John Shaqi.
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