“Glad?” Kenneth repeated, and there was a world of tenderness in his voice as he drew Connie close to him and put her head upon his shoulder, where it lay through the drive home, which did not take long, for Pro and Con, and especially the latter, defying the snow and the wind and the drifts, went swiftly up the hill, nearly upsetting the sleigh as they turned into a field, but finally reaching the house in safety. Once during the drive Connie said, by way of explanation for her unexpected appearance: “I had to come. I couldn’t stay in that dreary old palace in Genoa after Count Costello said words to me he never should have said. You know my aunt married him?” Kenneth did know, but forebore to ask any questions, they were so near home. “Oh, I am so glad, so glad!” Connie kept saying, when carried into the warmth and light, where Mrs. Stannard’s motherly arms received her. As his father took care of the horses, Kenneth removed Connie’s hat and sack and gloves and chafed her cold hands, and thought how thin and pale she was, and how she sometimes rambled in her talk. She was not hungry, she said. She was only tired and sleepy. She did not sleep at all upon the ship. She did not think she had slept since she left Genoa, or for some time before. She would not eat, and Kenneth, who was watching her closely, advised his mother to take her to her room. “Oh, this is so nice; this takes me back to long ago,” Connie said, kneeling on the hearth when there, and holding her hands to the blaze just as Kenneth had seen her do when a child. “There are pictures in the fire,” she continued; “pictures of me as I was a happy little girl and as I am now an unhappy woman,” and she clasped her white hands together. “Why are you unhappy? Has anything happened?” Mrs. Stannard asked, smoothing the soft golden hair on the small head, which was lying back against the cushions of a chair. Connie looked at her a moment, and then told very briefly of Count Costello’s offer to herself, of her refusal, of his marriage with her aunt, to whom she said he was kind; of the dreary house he called a palace, and of his saying to her: “Your young face is daily a painful contrast to that of the countess, handsome as she is.” “After that I could not stay, a foil to my aunt, who cares for him, while I hate him,” she said, “and so I came here. Are you glad?” She had asked the same question of Kenneth, who had answered by drawing her close to him, while his mother stooped and kissed her, as she replied: “Very glad; and now go to bed. You will be better to-morrow.” Connie had said nothing of the real pain eating into her heart, and Mrs. Stannard, while indignant at Count Costello, wondered why he should have had the power to change this once bright, rosy girl into the wan, pale woman who had scarcely strength to get into bed, and who, when there, looked almost as white as the pillow on which she was resting.