The abandoned farm, and Connie's mistakeHolmes, Mary Jane
General
The abandoned farm, and Connie's mistake
Holmes, Mary Jane
American fiction -- 20th century
At this point the hot blood surged again into Connie’s face, then left
it paler than before, as she closed her eyes wearily.
“You are tired. You have sat up too long,” Kenneth said, while Connie
opened her eyes and looked at him pitifully, as she replied:
“My aunt writes me to come back, but I can’t. I’d rather stay here.
Shall I be in the way?”
Kenneth would like to have taken her in his arms and told her that was
her resting place forever, but something in her eyes and manner since
she became conscious had seemed a barrier he could not understand, and
now he only replied: “No, Connie; never in the way. This is your home as
long as you choose to make it so.”
Evidently her letter had not done her much good, and Kenneth saw her
tear it in bits, which she threw into the fire. She was not tired, and
when Kenneth suggested that she lie down, she said: “I’m not going to be
tired any more. That’s Mrs. Foster’s creed, isn’t it? And I am going to
try it, and pray all the time till I feel that I am well.”
Her improvement was very rapid, and by the second week in May she was
able to walk as far as the ledge where the Christmas tree had been. To
Kenneth the place was sacred because of the little girl in the blue hood
and cloak, who had come at his call and smeared her rosy cheeks with
sugar and grape juice, as she answered to her name, with Chance at her
side. His grave was in a corner of the inclosure, and Kenneth pointed it
out to Connie, whose eyes filled with tears as she stooped over it and
said: “The dear old dog; he was a part of that happy week, the happiest
I have ever known. I mean the happiness which left no sting, no ache, no
wish that it had never been.”
She was sitting now in a rustic chair Kenneth had substituted for the
wooden one, and he was standing in front of her. How lovely she was in
her convalescence, the delicate color coming back to her cheeks and the
old-time brightness to her eyes, in which there was always a far-away
look of sadness which Kenneth could not define, and which it seemed to
him deepened whenever she met his gaze fixed upon her, as it was now
with a meaning she could not mistake. There was a quivering of her
eyelids; then the tears gathered in her long lashes as she looked
steadily at him, as if bidding him speak and be done with it. He did not
need any bidding. He had intended to speak when he brought her there,
and when to his question, “Why are you crying?” she answered, “I was
thinking of things, and wishing I were a child again,” he burst out, “I
am glad you are not a child, but a woman,—the loveliest I have ever
seen, and the dearest.”
Public-domain text, read in full here on John Shaqi.
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